Don't ever write just for a trend or fad, because it's a moving target, and by the time you get your work out there, the trend or fad is gone. Dig deep; don't be afraid to write fiercely. Expose your heart.
Jane YolenRead
But as the scissors snip-snapped through her hair and the razor shaved the rest, she realized with a sudden awful panic that she could no longer recall anything from the past. I cannot remember, she whispered to herself. I cannot remember. She's been shorn of memory as brutally as she'd been shorn of her hair, without permission, without reason... Gone, all gone, she thought again wildly, no longer even sure what was gone, what she was mourning.
Interpretation
This quote explores the theme of loss, particularly the loss of memory and identity.
In this passage by Jane Yolen, the character experiences a profound loss not only of her hair but also of her memories, leading to a deep existential crisis. The emotional weight of forgetting pieces of one’s past poses a critical question about identity and what it means to be oneself when memory is stripped away, suggesting that our memories form a crucial part of our existence and understanding of the world.
In practice
This quote can be used in a discussion about the importance of memories in shaping who we are.
Don't ever write just for a trend or fad, because it's a moving target, and by the time you get your work out there, the trend or fad is gone. Dig deep; don't be afraid to write fiercely. Expose your heart.
I don't care whether the story is real or fantastical. I tell the story that needs to be told.
What makes a good book? Scholars and critics have been debating that question for decades. I like books that touch my head and my heart at the same time.
Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.
I believe that culture begins in the cradle . . .To do without tales and stories and books is to lose humanity's past, is to have no star map for our future.
Childrens books change lives. Stories pour into the hearts of children and help make them what they become.
Between the vision and the act lies the shadow.
Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
It is natural for the mind to believe and for the will to love; so that, for want of true objects, they must attach themselves to false.
A man's personal defects will commonly have with the rest of the world precisely that importance which they have to himself. If he makes light of them, so will other men.
All history is nothing but a continuous transformation of human nature.
Visions of glory, spare my aching sight! Ye unborn ages, crowd not on my soul!
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