I went to Second City, where you learned to make the other actor look good so you looked good and National Lampoon, where you had to create everything out of nothing, and SNL, where you couldn't make any mistakes, and you learned what collaboration was.
Interpretation
Collaboration in creative environments is essential for mutual success.
In this quote, Bill Murray reflects on his experiences in various influential comedic institutions, emphasizing how learning to work together with others enhances individual performance. The lessons he learned about collaboration, creativity, and the importance of supporting fellow actors contributed significantly to his development as a performer.
In practice
During a workshop on teamwork, I shared Bill Murray's insights on collaboration.
You know the theory of cell irritability? If you take an amoeba cell and poke it a thousand times, it will change and then re-form into its original shape. And then, the thousandth time you poke this amoeba, the cell will completely collapse and become nothing. That's kind of what it's like being famous. People say hi, how are you doing, and after the thousandth time, you just get angry; you really pop.
My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, 'That's it-let's get the hell outta here.'
There's definitely a lot of trash that comes with the prize of being famous. It's a nice gift, but there's a lot of wrapping and paper and junk to cut through. Back then, when a movie came out and people saw you on the street, their reaction was so supercharged that it was scary. It would frighten other people. It used to really rattle me. I mean, everybody would love to have their clothes torn off by a mob of girls, but being screamed at is different.
Like: 'Don't walk out there with one hand in your pocket unless there's somethin' in there you're going to bring out.' You gotta commit. You've gotta go out there and improvise and you've gotta be completely unafraid to die. You've got to be able to take a chance to die. And you have to die lots. You have to die all the time.
Friendship is so weird. You just pick a human you've met and you're like, 'Yep, I like this one,' and you just do stuff with them.
Golf was my first glimpse of comedy. I was a caddy when I was a kid. I was on the golf course rather than being in lessons, but I can play better now than I could then.
I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels.
I think of childhood as an explosion of creativity. For most people, growing up and earning a living means leaving all that behind. But an artist never leaves that behind. Edwin Mullhouse was my way of exploring the child as artist and, under the guise of childhood, something larger.
My career is as an actress. I am an actress playing a comedienne.
It's so fine and yet so terrible to stand in front of a blank canvas.
The reasons that drive me to write are many and the most important are the most secret, I think. Perhaps most of all this: to put something out of death's reach.
I would rather be attacked than unnoticed. For the worst thing you can do to an author is to be silent as to his works.
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