It is wrong for a man to say that he is certain of the objective truth of any proposition unless he can produce evidence which logically justifies that certainty.
Thomas HuxleyRead
The secret of genius is to carry the spirit of childhood into maturity.
Interpretation
Embracing the curiosity and creativity of childhood is key to achieving greatness in adulthood.
This quote by Thomas Huxley suggests that the true essence of genius lies in maintaining the wonder, imagination, and playful spirit characteristic of childhood as we grow older. It emphasizes the idea that these qualities should not be lost with age but should instead be nurtured and carried into maturity, allowing individuals to innovate and think outside the conventional boundaries.
In practice
In a motivational speech about creativity in the workplace.
It is wrong for a man to say that he is certain of the objective truth of any proposition unless he can produce evidence which logically justifies that certainty.
The child who has been taught to make an accurate elevation, plan, and section of a pint pot has had an admirable training in accuracy of eye and hand.
Let us have "sweet girl graduates" by all means. They will be none the less sweet for a little wisdom; and the "golden hair" will not curl less gracefully outside the head by reason of there being brains within.
It is the first duty of a hypothesis to be intelligible.
Of the few innocent pleasures left to men past middle life, the jamming of common sense down the throats of fools is perhaps the keenest.
The scientific spirit is of more value than its products, and irrationally held truths may be more harmful than reasoned errors.
Confidence is a reduction of your own interest in whether others are thinking about you and if so, what they're thinking.
Information is power. But like all power, there are those who want to keep it for themselves.
If you have worries, there is no better way to eliminate them than by walking them off. Just take them out for a walk. They may take wings and fly away!
Muses are fickle, and many a writer, peering into the voice, has escaped paralysis by ascribing the creative responsibility to a talisman: a lucky charm, a brand of paper, but most often a writing instrument. Am I writing well? Thank my pen. Am I writing badly? Don't blame me blame my pen. By such displacements does the fearful imagination defend itself.
I said yes too much. I said yes to certain projects that weren't for me. It was somebody else's vision and somebody else's dream and somebody else's artistic endeavor, but it didn't necessarily fit in my grand scheme.
Lack of time is actually lack of priorities.
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