Travel is like a tonic to me. It's more than just getting away from the studio for a brief rest. I need it to recharge my batteries.
Norman RockwellRead
The secret to so many artists living so long is that every painting is a new adventure. So, you see, they're always looking ahead to something new and exciting. The secret is not to look back.
Interpretation
Artists find longevity by embracing new experiences and not dwelling on the past.
In this quote, Norman Rockwell emphasizes the importance of a forward-looking mindset in the artistic process. He suggests that the continuous pursuit of new adventures in creativity not only fuels an artist's passion but also contributes to their vitality, implying that a focus on the present and future can lead to a fulfilling life. The idea is that by not fixating on past works or regrets, artists can keep their spirit alive and engaged.
In practice
In a motivational speech about embracing change, one might use this quote to inspire creativity.
Travel is like a tonic to me. It's more than just getting away from the studio for a brief rest. I need it to recharge my batteries.
If a picture wasn't going very well, I'd put a puppy in it.
No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!
Right from the beginning, I always strived to capture everything I saw as completely as possible.
The remarks about my reaching the age of Social Security and coming to the end of the road, they jolted me. And that was good. Because I sure as hell had no intention of just sitting around for the rest of my life. So I'd whip out the paints and really go to it.
If there was sadness in this creative world of mine, it was a pleasant sadness. If there were problems, they were humorous problems.
The urge to make art or contemplate philosophy does not go away when you are sick. Those urges just become transfigured by illness.
Art is not a pleasure, a solace, or an amusement; art is a great matter. Art is an organ of human life, transmitting man's reasonable perception into feeling.
That powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?
It's dialogue that gives your cast their voices, and is crucial in defining their characters.
When talented people write badly, it's generally for one of two reasons: Either they're blinded by an idea they feel compelled to prove of they're driven by an emotion they must express. When talented people write well, it is generally for this reason: They're moved by a desire to touch the audience.
Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.
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