I saw a segment of Douglas Trumbull's special effects for 'Blade Runner' on the KNBC-TV news. I recognized it immediately. It was my own interior world. They caught it perfectly.
Interpretation
The quote expresses the connection between an artist's vision and the final artistic representation in film.
Philip K. Dick reflects on the powerful experience of seeing a visual representation of his internal thoughts and feelings in the special effects of 'Blade Runner.' This connection highlights how art can translate complex inner worlds into shared experiences, resonating deeply with both the creator and the audience.
In practice
During a discussion about the role of visual effects in film, this quote illustrates how closely they can align with an artist's vision.
We are living in a computer-programmed reality, and the only clue we have to it is when some variable is changed, and some alteration in reality occurs. We have the overwhelming impression that we were reliving the present - deja vu.
Don't try to solve serious matters in the middle of the night.
On some other world, possibly it is different. Better. There are clear good and evil alternatives. Not these obscure admixtures, these blends, with no proper tool by which to untangle the components.
"Do you have information that there's an android in the cast? I'd be glad to help you, and if I were an android would I be glad to help you?" "An android," he said, "doesn't care what happens to another android. That's one of the indications we look for." "Then," Miss Luft said, "you must be an android."
The universe is information and we are stationary in it, not three dimensional and not in space or time.
A man is an angel that has gone deranged.
I love to draw-pencil, ink pen-I love art. When I go on tour and visit museums in Holland, Germany or England-you know those huge paintings?-I'm just amazed. You don't think a painter could do something like that. I can look at a piece of sculpture or a painting and totally lose myself in it.
An abstract painting need in 50 years by no means look "abstract" any longer.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
I try to make clothes the way Lou Reed does music, with minimal chord changes. It's about giving everything I make a worn, softened feel. It's about an elegance being tinged with the barbaric, the luxury of not caring.
There's no doubt I was a bit of a misfit in the Hollywood of the forties. The race for glamour left me far behind. I didn't really want to keep up. I wanted my stardom without the usual trimmings. Because of this, I was branded a rebel at the very least. But I don't regret that for a minute. My appetite was my own and I simply wouldn't have it any other way.
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