The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity.
Umberto EcoRead
I think of myself as a serious professor who, during the weekend, writes novels.
Interpretation
The quote reflects the duality of the author's identity as both an academic and a creative writer.
Umberto Eco describes his self-perception as a serious academic during the week, while also embracing his creative side as a novelist on the weekends. This highlights the balance between professional responsibility and personal passion, suggesting that one can pursue multiple identities and interests in life.
In practice
In a speech about managing different roles in life.
The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity.
I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.
But why do some people support [the heretics]?" "Because it serves their purposes, which concern the faith rarely, and more often the conquest of power." "Is that why the church of Rome accuses all its adversaries of heresy?" "That is why, and that is also why it recognizes as orthodoxy any heresy it can bring back under its own control or must accept because the heresy has become too strong.
You die, but most of what you have accumulated will not be lost; you are leaving a message in a bottle.
"Then we are living in a place abandoned by God," I said, disheartened. "Have you found any places where God would have felt at home?" William asked me, looking down from his great height.
The lunatic is all idée fixe, and whatever he comes across confirms his lunacy. You can tell him by the liberties he takes with common sense, by his flashes of inspiration, and by the fact that sooner or later he brings up the Templars.
Simplicity is the glory of expression.
You see, I am a poet, and not quite right in the head, darling. It’s only that.
This strange business of what it is to be a writer is this increasingly insane world in which we live, in which surrealism, it seems, is the new realism.
I always have a basic plot outline, but I like to leave some things to be decided while I write.
I'm going to be a superstar musician, kill myself, and go out in a flame of glory.
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
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