An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Paul CezanneRead
Shadow is a colour as light is, but less brilliant; light and shadow are only the relation of two tones.
Interpretation
Cezanne emphasizes the importance of shadow in art, highlighting its relationship with light.
In this quote, Paul Cezanne expresses the idea that shadow holds as much significance in art as light does, suggesting that both are essential tones that contribute to the depth and richness of a composition. He conveys that understanding the interplay between light and shadow is crucial for creating a balanced representation of the subject.
In practice
This quote can be used in an art class to discuss the importance of light and shadow in drawing.
An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
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Monet is only an eye, but my God, what an eye!
If I were called upon to define briefly the word Art, I should call it the reproduction of what the senses preceive in nature, seen through the veil of the soul.
The landscape thinks itself in me and I am its consciousness.
I lack the magnificent richness of color that animates nature.
True alchemy lies in this formula: ‘Your memory and your senses are but the nourishment of your creative impulse’.
You don't make a photograph just with a camera
You say grace before meals. All right. But I say grace before the concert and the opera, and grace before the play and pantomime, and grace before I open a book, and grace before sketching, painting, swimming, fencing, boxing, walking, playing, dancing and grace before I dip the pen in the ink.
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. Ive had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
Where I grew up, in Aldgate, east London, one of the poorest boroughs in the country, I saw lots that was real - the bankers with their briefcases, the man next door with five wives, the illegal immigrants in Flat 5. I'm from a world you rarely see on screen, and I want to show it off.
Designing is a matter of concentration. You go deep into what you want to do. It's about intensive research, really. The concentration is warm and intimate and like the fire inside the earth - intense but not distorted. You can go to a place, really feel it in your heart. It's actually a beautiful feeling.
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