In memoir, you have to be particularly careful not to alienate the reader by making the material seem too lived-in. It mustn't have too much of the smell of yourself, otherwise the reader will be unable to make it her own.
Rachel CuskRead
Shame is something you'll find a lot of - particularly Catholic - girls feel about their bodies, about their sexuality, about their diet, about anything you like. Shame is the way you keep them down. That's the way to crush a girl.
Interpretation
Shame can be a powerful tool for oppression, particularly for women regarding their bodies and choices.
This quote by Rachel Cusk highlights the pervasive nature of shame, especially in the context of societal expectations placed on women, particularly within certain cultural or religious frameworks. It suggests that shame operates as a means of control, preventing individuals from embracing their own identities and experiences, ultimately stifling their potential and freedom.
In practice
This quote can be shared during a discussion on body positivity and the impact of societal pressures on women.
In memoir, you have to be particularly careful not to alienate the reader by making the material seem too lived-in. It mustn't have too much of the smell of yourself, otherwise the reader will be unable to make it her own.
As writers go, I have a skin of average thickness. I am pleased by a good review, disappointed by a bad. None of it penetrates far enough to influence the thing I write next.
There is always shame in the creation of an expressive work, whether it's a book or a clay pot. Every artist worries about how they will be seen by others through their work. When you create, you aspire to do justice to yourself, to remake yourself, and there is always the fear that you will expose the very thing that you hoped to transform.
I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child.
It seems to me that 'women's writing' by nature would not seek equivalence in the male world. It would be a writing that sought to express a distinction, not deny it.
We who were born were not witnesses to our birth: like death, it is something we are forever after trying to catch sight of.
If you want to kill something, neglect it. It happens in both good and bad. Neglect a relationship, it dies. Neglect your iman, it dies. But the same principal applies when you want to kill something like a thought or a desire. Neglect it, it dies.
Communities of color don't understand what it means to be a police officer, the fear that police officers have in just being on the streets.
An archaeologist is the best husband a woman can have. The older she gets the more interested he is in her.
Why do we even bother? Why do we make ourselves so open to such easy damage? Is it all loneliness? Is it all fear? Or is it just to experience those narcotic moments of belonging with someone else?
Sanity and clarity are more important for me and I'm willing to give up a lot of shimmer for it. I'm willing to have more boring friends, who are sane.
As soon as I arrived I made an attempt to find my host but the two or three people of whom I asked his whereabouts stared at me in such an amazed way and denied so vehemently an knowledge of his movements that I slunk off in the direction of the cocktail table--the only place in the garden where a single man could linger without looking purposeless and alone.
Subscribe for the occasional hand-picked quote. No noise.