As writers go, I have a skin of average thickness. I am pleased by a good review, disappointed by a bad. None of it penetrates far enough to influence the thing I write next.
Rachel CuskRead
In memoir, you have to be particularly careful not to alienate the reader by making the material seem too lived-in. It mustn't have too much of the smell of yourself, otherwise the reader will be unable to make it her own.
Interpretation
In writing memoirs, it's important to balance personal experience with relatability for the reader.
Rachel Cusk emphasizes the need for memoir writers to present their experiences in a way that resonates with readers rather than overwhelming them with personal details. If the narrative is too saturated with the author's own life, it risks becoming inaccessible or alienating, thus preventing the reader from connecting with or interpreting the story in their own way.
In practice
An author discussing their memoir during a book signing.
As writers go, I have a skin of average thickness. I am pleased by a good review, disappointed by a bad. None of it penetrates far enough to influence the thing I write next.
There is always shame in the creation of an expressive work, whether it's a book or a clay pot. Every artist worries about how they will be seen by others through their work. When you create, you aspire to do justice to yourself, to remake yourself, and there is always the fear that you will expose the very thing that you hoped to transform.
Shame is something you'll find a lot of - particularly Catholic - girls feel about their bodies, about their sexuality, about their diet, about anything you like. Shame is the way you keep them down. That's the way to crush a girl.
I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child.
It seems to me that 'women's writing' by nature would not seek equivalence in the male world. It would be a writing that sought to express a distinction, not deny it.
We who were born were not witnesses to our birth: like death, it is something we are forever after trying to catch sight of.
As a reader I loathe introductions...Introductions inhibit pleasure, they kill the joy of anticipation, they frustrate curiosity.
Itβs a small story really, about, among other things: * A girl * Some words * An accordionist * Some fanatical Germans * A Jewish fist fighter * And quite a lot of thievery
You don't put your life into your books, you find it there.
His books were the closest thing he had to furniture and he lived in them the way other men live in easy chairs.
It's in being read that a book becomes a book, and in each of a million different readings a book become one of a million different books . . .
Poor Faulkner. Does he really think big emotions come from big words? He thinks I donβt know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.
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