As I listen to the silence, I learn that my feelings about art and my feelings about the Creator of the Universe are inseparable. To try to talk about art and about Christianity is for me one and the same thing, and it means attempting to share the meaning of my life, what gives it, for me, its tragedy and its glory.
Interpretation
Art and spirituality are deeply interconnected in the author's perspective.
In this quote, Madeleine L'Engle expresses the profound connection between her appreciation for art and her understanding of the divine. She contends that discussing art is inherently linked to discussing her faith, as both are essential to her identity and convey the complexities of life, including its sorrows and joys.
In practice
In a discussion about the relationship between art and faith during a lecture.
Truth is what is true, and it's not necessarily factual. Truth and fact are not the same thing. Truth does not contradict or deny facts, but it goes through and beyond facts. This is something that it is very difficult for some people to understand. Truth can be dangerous.
George MacDonald gives me renewed strength during times of trouble--times when I have seen people tempted to deny God--when he says, "The Son of God suffered unto death, not that men might not suffer, but that their sufferings might be like his.
If you don't recount your family history, it will be lost. Honor your own stories and tell them too. The tales may not seem very important, but they are what binds families and makes each of us who we are.
I never want to lose the story-loving child within me, or the adolescent, or the young woman, or the middle-aged one, because all together they help me to be fully alive on this journey, and show me that I must be willing to go where it takes me, even through the valley of the shadow.
The minute we begin to think we have all the answers, we forget the questions.
When we believe in the impossible, it becomes possible, and we can do all kinds of extraordinary things.
Good directors don't answer questions with their work. They generate debate and create discussion.
I wish the stage were as narrow as the wire of a tighrope dancer so that no incompetent would dare step upon it.
A painting is a symbol for the universe. Inside it, each piece relates to the other. Each piece is only answerable to the rest of that little world. So, probably in the total universe, there is that kind of total harmony, but we get only little tastes of it.
The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner.
I think the point to be understood is that we're all different. I've never been a fan of theories of acting. I didn't go to drama school, so I was never put through a training that was limited by someone saying, 'This is the way you should act.'
He has Van Gogh's ear for music.
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