I don't look at a knife the way I used to. I'm more aware of what it is. I think twice. This is a key finger. It's in every chord.
Neil YoungRead
I dreamed I saw the silver spaceships flying in the yellow haze of the sun. There were children crying and colors flying all around the chosen ones.
Interpretation
This quote reflects a vivid and imaginative vision that intertwines hope with a sense of urgency and emotional turmoil.
Neil Young's quote evokes a surreal dream filled with imagery of spaceships and vibrant colors, symbolizing innovative ideas and the promise of a brighter future. However, it also juxtaposes this with a sense of sadness through the crying children, highlighting the dichotomy between hope and the challenges faced by the 'chosen ones'. This dreamlike quality urges reflection on the potential for change and the struggles inherent in the human experience.
In practice
Use this quote during a creative arts presentation about inspiration.
I don't look at a knife the way I used to. I'm more aware of what it is. I think twice. This is a key finger. It's in every chord.
I don't force it. If you don't have an idea and you don't hear anything going over and over in your head, don't sit down and try to write a song. You know, go mow the lawn...My songs speak for themselves.
In a Ramada Inn near the grapevine, they stop to rest for the night. Traveling down south, looking for good times. Visiting old friends feels right.
Link Wray... He was the beginning of Grunge, way before anybody you know.
It's better to burn out, than to fade away.
I just wrote one song at a time. Kinda like an alcoholic. One day at a time.
When you stand on the stage you must have a sense that you are addressing the whole world, and that what you say is so important the whole world must listen.
A parallel between color and music can only be relative β just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.
There are dozens of young poets and fictioneers most of them a little insane in the tradition of James Joyce, who, however insane they may be, have refused to be genteel and traditional and dull.
I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
The word-coining genius, as if thought plunged into a sea of words and came up dripping.
My attitude toward punctuation is that it ought to be as conventional as possible. The game of golf would lose a good deal if croquet mallets and billiard cues were allowed on the putting green. You ought to be able to show that you can do it a good deal better than anyone else with the regular tools before you have a license to bring in your own improvements.
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