I must go down to the sea again For the call of the running tide It's a wild call and a clear call that may not be denied.
John MasefieldRead
Since the printing press came into being, poetry has ceased to be the delight of the whole community of man; it has become the amusement and delight of the few.
Interpretation
The introduction of the printing press changed poetry from a communal art form to one that is appreciated by a select few.
John Masefield's quote highlights the transformative impact of the printing press on poetry. Originally, poetry was a shared experience that brought joy to the entire community; however, with its widespread production and accessibility, it became more of an individual pursuit, enjoyed primarily by those who actively seek it out, relegating it to a niche audience rather than a collective cultural experience.
In practice
In a discussion about how technology affects literature, this quote illustrates the historical shift in audience engagement.
I must go down to the sea again For the call of the running tide It's a wild call and a clear call that may not be denied.
Commonplace people dislike tragedy because they dare not suffer and cannot exult.
What am I, Life? A thing of watery salt Held in cohesion by unresting cells, Which work they know not why, which never halt, Myself unwitting where their Master dwells?
I must down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way where the wind's like a whetted knife And all I ask is a merry yarn from a laughing fellow rover, And quiet sleep and a sweet dream when the long trick's over.
Poetry is a mixture of common sense, which not all have, with an uncommon sense, which very few have.
Once in a century a man may be ruined or made insufferable by praise. But surely once in a minute something generous dies for want of it.
The word-coining genius, as if thought plunged into a sea of words and came up dripping.
The things we truly love, the things forming the basis and roots of our being, are generally things we never look at. A huge piece of carpeting, empty and naked plains, silent and uninterrupted stretches with nothing to alter the homogeneity of their continuity. I love wide, homogenous worlds, unstaked, unlimited like the sea, like high snows, deserts, and steppes.
Whenever I think of the high salaries we are paid as film actors, I think it is for the travel, the time away, and any trouble you get into through being well known. It's not for the acting, that's for sure.
The stage is not merely the meeting place of all the arts, but is also the return of art to life.
People expect things from art that are horrible for us who make it! They put the things we make in these restrictive places called 'museums,' then don't want to hear another word from us.
There is one way that architecture is superior to sculpture, and that is scale. You can walk into a building and have it all around you.
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