A writer's job is to imagine everything so personally that the fiction is as vivid as memories.
John IrvingRead
When someone you love dies, and you're not expecting it, you don't lose her all at once; you lose her in pieces over a long time—the way the mail stops coming, and her scent fades from the pillows and even from the clothes in her closet and drawers. Gradually, you accumulate the parts of her that are gone. Just when the day comes—when there's a particular missing part that overwhelms you with the feeling that she's gone, forever—there comes another day, and another specifically missing part.
Interpretation
This quote reflects the gradual process of grieving and losing a loved one over time.
John Irving's quote poignantly captures the experience of loss, emphasizing that losing someone you love is not instantaneous but rather a slow and painful process. Each memory, scent, and moment associated with them fades gradually, leaving behind a sense of emptiness that compounds over time, ultimately leading to the realization of their permanent absence.
In practice
This quote is suitable for a eulogy to express the complexity of mourning.
A writer's job is to imagine everything so personally that the fiction is as vivid as memories.
No one but me ever put a hand on me to feel that baby. No one wanted to put his ear against it and listen...You shouldn't have a baby if there's no one who wants to feel it kick or listen to it move.
It's not very interesting to establish sympathy for people who, on the surface, are instantly sympathetic. I guess I'm always attracted to people who, if their lives were headlines in a newspaper, you might not be very sympathetic about them.
It is an important distinction to note that she looked not only as if she had taken good care of herself, but that she had good reason to have done so. (...) She looked to be in such total possession of her life that only the most confident men could continue to look at her if she looked back at them. Even in bus stations, she was a woman who was stared at only until she looked back.
I am doomed to remember a boy with a wrecked voice. Not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God. I am a Christian because of Owen Meany.
I will tell you what is my overriding perception of the last twenty years: that we are a civilization careening toward a succession of anticlimaxes – toward an infinity of unsatisfying, and disagreeable endings.
Love seems the swiftest, but it is the slowest of all growths. No man or woman really knows what perfect love is until they have been married a quarter of a century.
Passion is always a mystery and unaccountable, and unfortunately there is no doubt that life does not spare its purest children; often it is just the most deserving people who cannot help loving those that destroy them.
Sometimes I have the strangest feeling about you. Especially when you are near me as you are now. It feels as though I had a string tied here under my left rib where my heart is, tightly knotted to you in a similar fashion. And when you go to Ireland, with all that distance between us, I am afraid that this cord will be snapped, and I shall bleed inwardly.
I love the silent hour of night, for blissful dreams may then arise, revealing to my charmed sight what may not bless my waking eyes.
Love adds a precious seeing to the eye.
I have been overcome by the beauty and richness of our life together, those early mornings setting out, those evenings gleaming with rivers and lakes below us, still holding the last light.
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