Pixar films are not realistic. They are believable for the worlds we are creating.
John LasseterRead
When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and having emotions, that's animation. But when you take something that's live-action, and move a part of it, that's a special effect.
Interpretation
The quote distinguishes between animation and special effects in filmmaking.
John Lasseter explains the difference between animation and special effects. He highlights that animation involves giving life to something inanimate—creating characters that appear to think and feel—while special effects refer to manipulating live-action elements to enhance the visual experience. This underscores the unique artistry involved in creating animated works versus enhancing real-life footage.
In practice
A filmmaker might use this quote to explain the difference between animated films and action movies with visual effects.
Pixar films are not realistic. They are believable for the worlds we are creating.
Everything I do and everything Pixar does is based on a simple rule: Quality is the best business plan, period.
You know, going to the movies has always been recession-proof. It's fairly cheap entertainment; it's classic escapism.
At Pixar, good ideas may be cut from a film, but they are never forgotten.
If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story.
Pixar is not about computers, it's about people.
The drama is complete poetry. The ode and the epic contain it only in germ; it contains both of them in a state of high development, and epitomizes both.
I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.
When I really have to push and grope and scratch and claw to make a story work, that's a telltale sign that maybe something conceptually isn't right.
It can happen that a book, unlike its authors, grows younger as the years pass.
The creator of the new composition in the arts is an outlaw until he is a classic.
The landscape painter must walk in the fields with a humble mind. No arrogant man was ever permitted to see Nature in all her beauty.
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