It's all a farce, - these tales they tell About the breezes sighing, And moans astir o'er field and dell, Because the year is dying.
Paul Laurence DunbarRead
I hope there is something worthy in my writings and not merely the novelty of a black face associated with the power to rhyme that has attracted attention.
Interpretation
The quote expresses a desire for the significance of oneβs work to be appreciated beyond superficial traits.
Paul Laurence Dunbar's quote highlights the importance of substance in writing, emphasizing that he hopes his literary contributions are valued for their worth rather than the novelty of his identity as a Black poet. He calls attention to the tendency for superficial attributes to overshadow true talent and meaningful expression, advocates for genuine recognition of artistic merit, and challenges societal biases in literature.
In practice
A poet presenting their work at a literary festival might share this quote to emphasize the depth of their craft.
It's all a farce, - these tales they tell About the breezes sighing, And moans astir o'er field and dell, Because the year is dying.
A crust of bread and a corner to sleep in. A minute to smile and an hour to weep in. A pint of joy to a peck of trouble, And never a laugh but the moans come double. And that is life. A crust and a corner that makes love precious, With a smile to warm and tears to refresh us, And joy seems sweeter when cares come after, And a moan is the finest of foils for laughter. And that is life.
I know what the caged bird feels, alas!
Life is very nice, but it lacks form. It's the aim of art to give it some.
The only weapons I ever had were my cello and my baton.
Dancing insists we take up space, and though it has no set direction, we go there together. Dance is dangerous, joyous, sexual, holy, disruptive, and contagious and it breaks the rules. It can happen anywhere, at anytime, with anyone and everyone, and it's free. Dance joins us and pushes us to go further and that is why it's at the center of ONE BILLION RISING.
The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman - these are public value-founders.
I'm not actually a very keen performer. I like putting shows together. I like putting events together. In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.
The upshot was, my paintings must burn that English artists might finally learn.
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