God how I hate new countries: They are older than the old, more sophisticated, much more conceited, only young in a certain puerile vanity more like senility than anything.
D. H. LawrenceRead
The upshot was, my paintings must burn that English artists might finally learn.
Interpretation
D. H. Lawrence expresses the idea that his revolutionary art might inspire English artists to embrace new perspectives.
In this quote, D. H. Lawrence reflects on the need for his art to challenge the status quo of English artistry. He metaphorically suggests that his paintings must be devastatingly powerful or impactful, akin to burning, so that they provoke a transformative learning experience for other artists. This underscores the importance of innovation and radical change in the field of art, urging fellow artists to break free from traditional constraints.
In practice
An art teacher could use this quote to inspire students to be bold in their artistic choices.
God how I hate new countries: They are older than the old, more sophisticated, much more conceited, only young in a certain puerile vanity more like senility than anything.
A young man is afraid of his demon and puts his hand over the demon's mouth sometimes and speaks for him. And the things the young man says are very rarely poetry.
And besides, look at elder flowers and bluebells-they are a sign that pure creation takes place - even the butterfly. But humanity never gets beyond the caterpillar stage -it rots in the chrysalis, it never will have wings.It is anti-creation, like monkeys and baboons.
The Christian fear of the pagan outlook has damaged the whole consciousness of man.
The cosmos is a vast living body, of which we are still parts. The sun is a great heart whose tremors run through our smallest veins. The moon is a great nerve center from which we quiver forever. Who knows the power that Saturn has over us, or Venus? But it is a vital power, rippling exquisitely through us all the time.
... he preferred his own madness, to the regular sanity. He rejoiced in his own madness, he was free. He did not want that old sanity of the world, which was become so repulsive. He rejoiced in the new-found world of his madness. It was so fresh and delicate and so satisfying.
Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
As an artist, I want to interpret my feelings - not run across the street and ask what my mother thinks.
The painter must enclose himself within his work; he must respond not with words, but with paintings.
Anything that's made by humans is about humans, whether it's about gods or aliens or anything; it's about some sort of expressive nature about us.
'For Whom the Bell Tolls' was a problem which I carried on each day. I knew what was going to happen in principle. But I invented what happened each day I wrote.
When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.
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