God how I hate new countries: They are older than the old, more sophisticated, much more conceited, only young in a certain puerile vanity more like senility than anything.
D. H. LawrenceRead
A young man is afraid of his demon and puts his hand over the demon's mouth sometimes and speaks for him. And the things the young man says are very rarely poetry.
Interpretation
The quote suggests that a young man struggles with his inner fears and emotions, often expressing them inadequately.
D. H. Lawrence highlights the internal conflict faced by the young man, who is afraid of confronting his darker feelings, symbolized by the 'demon.' By suppressing these emotions, he fails to convey the depth of his experiences and often resorts to inauthentic expressions instead of genuine artistry, which Lawrence suggests is rarely poetic. The quote reflects the tension between one's true self and societal expectations, urging an embrace of authenticity.
In practice
In a poetry workshop, this quote can inspire participants to explore their deeper emotions.
God how I hate new countries: They are older than the old, more sophisticated, much more conceited, only young in a certain puerile vanity more like senility than anything.
And besides, look at elder flowers and bluebells-they are a sign that pure creation takes place - even the butterfly. But humanity never gets beyond the caterpillar stage -it rots in the chrysalis, it never will have wings.It is anti-creation, like monkeys and baboons.
The Christian fear of the pagan outlook has damaged the whole consciousness of man.
The cosmos is a vast living body, of which we are still parts. The sun is a great heart whose tremors run through our smallest veins. The moon is a great nerve center from which we quiver forever. Who knows the power that Saturn has over us, or Venus? But it is a vital power, rippling exquisitely through us all the time.
... he preferred his own madness, to the regular sanity. He rejoiced in his own madness, he was free. He did not want that old sanity of the world, which was become so repulsive. He rejoiced in the new-found world of his madness. It was so fresh and delicate and so satisfying.
When the emotional soul receives a wounding shock, the soul seems to recover as the body recovers. But this is only in appearance. Slowly, slowly the wound to the soul begins to make itself felt, like a bruise, which only slowly deepens its terrible ache, till it fills all the psyche. And when we think we have recovered and forgotten, it is then that the terrible after-effects have to be encountered at their worst.
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. Ive had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
As ballerinas, we don't use our voices. Our voice is the body and the movement quality.
I wanted to write about looking at the world, so it's more about helping people, or persuading people, to see what is around us; both the marvellous and the terrible.
When I first heard the minstrel banjo - I played a gourd first - I almost lost my mind. I was like, Oh, my god. And then I went to Africa, to the Gambia, and studied the akonting, which is an ancestor of the banjo, and just that connection to me was just immense.
Comics deal with fundamental archetypes. We've been called the myth-makers of the modern age.
I feel that there is nothing more truly artistic than to love people.
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