The subject should be observed more for shape and color than for drawing... precise drawing is dry and hampers the impression of the whole, it destroys all sensations.
Camille PissarroRead
I sometimes have a horrible fear of turning up a canvas of mine. I'm always afraid of finding a monster in place of the precious jewels I thought I had put there!
Interpretation
The fear of disappointing oneself in creative endeavors can overshadow the joy of creation.
In this quote, Camille Pissarro expresses the anxiety that artists often face when revealing their work. The fear of discovering that their efforts have produced something unworthy, rather than the beauty they envisioned, reflects a common struggle among creatives, highlighting the tension between expectation and reality in the artistic process.
In practice
An artist discussing their creative process at a gallery opening.
The subject should be observed more for shape and color than for drawing... precise drawing is dry and hampers the impression of the whole, it destroys all sensations.
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
Work at the same time on sky, water, branches, ground, keeping everything going on an equal basis... Don't be afraid of putting on colour... Paint generously and unhesitatingly, for it is best not to lose the first impression.
Cover the canvas at the first go, then work at it until you see nothing more to add.
If I wanted to make a quick buck, there's far easier ways of doing it. What I want is to provoke people. If you want a hit song, all you need to do is rewrite an old song. It might have been proven to work, but you won't be remembered the same way.
If a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.
Who are you, a hundred years from today, reading my poetry with curiosity?
The head of the photographer is more important than his camera
People still love a good story, and I don't think that will change.
Au revoir, jewelled alligators and white hotels, hallucinatory forests, farewell.
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