It's a folk singer's job to comfort disturbed people and to disturb comfortable people
Woody GuthrieRead
A song ain't nothing but a conversation fixed up to where you can talk it over and over without getting tired of it.
Interpretation
A song is like a structured conversation that can be revisited repeatedly.
Woody Guthrie captures the essence of songwriting by likening it to a conversation that is crafted in such a way that it remains engaging and allows for multiple interpretations. This perspective emphasizes the artistic nature of songs as forms of expression that can convey emotions and stories that resonate on a deeper level over time.
In practice
In a speech about the power of music at a local event.
It's a folk singer's job to comfort disturbed people and to disturb comfortable people
A folk song is what's wrong and how to fix it or it could be _x000D_ who's hungry and where their mouth is or _x000D_ who's out of work and where the job is or _x000D_ who's broke and where the money is or _x000D_ who's carrying a gun and where the peace is.
The world is filled with people who are no longer needed -- and who try to make slaves of all of us -- and they have their music and we have ours.
Nobody living can ever stop me. As I go walking my freedom highway. Nobody living can make me turn back. This land was made for you and me.
It's round the world I've traveled; it's round the world I've roamed; but I've yet to see an outlaw drive a family from its home
I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim too ugly or too this or too that.
The artist appeals to that part of our being...which is a gift and not an acquisition - and, therefore, more permanently enduring.
The Heavenly Spheres make music for us,_x000D_ The Holy Twelve dance with us,_x000D_ All things join in the dance!_x000D_ Ye who dance not, know not what we are knowing.
The work of art assumes the existence of the perfect spectator, and is indifferent to the fact that no such person exists.
An artist has no home in Europe except in Paris.
[O]ne can scarcely be frightened off writing what one wants to write for fear an obscure reviewer should patronise one on that account.
Photographs aren't accounts of scrutiny. The shutter is open for a fraction of a second.
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