Learn your lines… plant your feet… look the other actor in the eye… say the words… mean them.
James CagneyRead
Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.
Interpretation
Once someone becomes defined by their art, it remains a fundamental part of their identity.
James Cagney's quote highlights the enduring nature of one's artistic identity. Once an individual dedicates themselves to the craft of performing, whether in song or dance, it becomes an intrinsic part of who they are, shaping their professional and personal life indefinitely. It suggests that the passion and creativity associated with their artistry continue to define them throughout their lifetime.
In practice
In a motivational speech about pursuing one's passion.
Learn your lines… plant your feet… look the other actor in the eye… say the words… mean them.
Whether it's a very dramatic part or a comical role, I feel I need to create the same thing: a full-fledged, three-dimensional character that the audience can identify with.
When you are a beginning film maker you are desperate to survive. The most important thing in the end is survival and being able to get to your next picture.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
Now people look at 'The Scream' or Van Gogh's 'Irises' or a Picasso and see its new content: money. Auction houses inherently equate capital with value.
The substance of fictional architecture is not bricks and mortar but evanescent consciousness.
Sure, they were simple desk lamps with only a minimal amount of movement, but you could immediately tell that Luxo Jr. was a baby, and that the big one was his mother. In that short little film, computer animation went from a novelty to a serious tool for filmmaking.
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