Stories of all lengths and depths come from different parts of the cave. For a novel, you must lay in mental, physical and spiritual provision as for a siege or for a time of hectic explosions, while a short story is, or can be, a steady, timed flame like the lighting of a blow lamp on a building site full of dry tinder.
Interpretation
Writing requires careful preparation and understanding of different forms.
In this quote, Jane Gardam emphasizes the distinct approaches needed for crafting a novel versus a short story. She uses metaphors of a siege and a steady flame to illustrate that while a novel demands extensive mental and emotional investment akin to preparing for a challenging battle, a short story can be more focused and deliberate, akin to lighting a controlled flame in a construction setting. This highlights the diverse skills and preparations involved in different forms of storytelling.
In practice
An author discussed her creative process during a workshop.
I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.
I started to write as a child as soon as I could read, or even before, when my mother read me Beatrix Potter at bedtime. Writing seemed to me to be the only sensible way to live and be happy.
I was nearly 40 when I started. I had no fear that I wasn't going to write. I knew it was just delayed. Then, my goodness, I never stopped.
In modern novels, there is no one I want to copy. My style 'is a poor thing, but it is my own.'
It takes time to get a dance right, to create something memorable.
Dance music ... stirs some barbaric instinct - lulled asleep in our sober lives - you forget centuries of civilization in a second, & yield to that strange passion which sends you madly whirling round the room.
I'd like to play for you one of my compositions, my only composition.
At every concert I leave a lot to the moment. I must have the unexpected, the unforeseen. I want to risk, to dare. I want to be surprised by what comes out. I want to enjoy it more than the audience. That way the music can bloom anew. It's like making love. The act is always the same, but each time it's different.
If a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.
Technique does not constitute art. Nor is it a vague, fuzzy romantic quality known as ‘beauty,’ remote from the realities of everyday life. It is the depth and intensity of an artist’s experience that are the first importance in art.
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