A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
Tony KushnerRead
The theater requires an essential gullibility that you can't get through life without having. If all you can feel is skepticism-well , you meet people like this. Run away from them. They're not good people.
Interpretation
Belief and openness to experience are essential for engaging with life and art.
Tony Kushner emphasizes that the theater—and by extension, life itself—requires a certain level of trust and openness. A rigid skepticism can alienate individuals from the joy of shared experiences and connection; thus, those who approach life solely with skepticism are advised to be avoided, as they lack the capacity for genuine engagement and understanding.
In practice
In a speech about the power of creativity, citing this quote can highlight the importance of belief.
A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
Artists know that diligence counts as much, if not more, as inspiration; in art, as in politics, patience counts as much as revolution.
I don't understand why I'm not dead. When your heart breaks, you should die
In this world, there is a kind of painful progress. Longing for what we've left behind, and dreaming ahead.
The way that same-sex marriage should reach the federal level is that it absolutely should be decided by the Supreme Court as quickly as possible. It's a 14th Amendment issue. There's no argument about it.
Gay TV has been immensely important in transforming American culture in a more gay-positive direction.
No definition of poetry is adequate unless it be poetry itself. The most accurate analysis by the rarest wisdom is yet insufficient, and the poet will instantly prove it false by setting aside its requisitions. It is indeed all that we do not know.
I write from real life. I am an unrepentant eavesdropper and a collector of stories. I record bits of overheard dialogue.
I ask of cinema what most North Americans ask of psychedelic drugs.
The artist doesn't really think about consequences - he or she does the work, stands back and looks at and thinks, 'Hmm, that could have worked better like this.' But as a person who needs to sell tickets to do the next work, one needs to analyze how it does or does not hit its mark.
I find in my own writing that only fiction - and rarely, a poem - fully tests me to the kind of limits of what I know and what I feel.
Landscape is to American painting what sex and psychoanalysis are to the American novel.
Subscribe for the occasional hand-picked quote. No noise.