The wars don't end when you sign peace treaties or when the years go by. They will echo on until I'm gone and all the widows and orphans are gone.
Tim O'BrienRead
Stories have a special way of putting us inside the people, inside the boots of the soldiers. You're absorbed in a way a documentary or nonfiction can't do for you.
Interpretation
Stories allow us to deeply empathize with others, offering experiences that factual accounts often cannot convey.
In this quote, Tim O'Brien emphasizes the power of storytelling to foster empathy and connection with characters' experiences, particularly in challenging situations like war. Unlike documentaries or nonfiction, which present facts and information, stories immerse us in the emotional landscapes of individuals, allowing us to truly understand their thoughts, feelings, and struggles.
In practice
In a book club discussion about war literature, one could use this quote to highlight the immersive power of story.
The wars don't end when you sign peace treaties or when the years go by. They will echo on until I'm gone and all the widows and orphans are gone.
...you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not.
Unlike Chicago or New York, small-town Minnesota did not allow a man's failings to disappear beneath a veil of numbers. People talked. Secrets did not stay secret.
Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.
In fiction workshops, we tend to focus on matters of verisimilitude largely because such issues are so much easier to talk about than the failure of imagination.
War is a fundamental aspect of human existence. It's good to know what war entails and what the human sacrifice is.
In a way, writing is an incredible act of individualism, producing your language, and yet to use it from the heart of a crowd as opposed to as an individual performance is a conflicting thing. I do stand alone, and yet it's not about being an individual or being ambitious.
The next step in sculpture is motion.
I wake up from dreams and go, 'Wow, put this down on paper.' The whole thing is strange. You hear the words, everything is right there in front of your face. ... I am always writing a potpourri of music. I want to give the world escapism through the wonder of great music and to reach the masses. ... And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.
My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.
Classical music is one of the best things that ever happened to mankind. If you get introduced to it in the right way, it becomes your friend for life.
He was very much a man of moods, possibly owing to what is styled the artistic temperment. I have never seen, myself, why the possession of artistic ability should be supposed to excuse a man from a decent exercise of self-control.
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