Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
The only story that seems worth writing is a cry, a shot, a scream. A story should break the reader's heart.
Interpretation
What this quote means
This quote emphasizes the profound emotional impact that stories can have on readers, suggesting that true art exposes deep human experiences.
Susan Sontag argues that the most valuable narratives are those that evoke intense emotional responses, such as sorrow or pain. She believes that literature should not shun the difficult themes of life but instead confront them head-on, leading to transformative experiences for both the writer and the reader. A story that touches on deep emotional truths speaks to the heart of humanity, reminding us of our shared vulnerabilities and the depth of our experiences.
Themes
In practice
Example use cases
In a literary discussion about the power of narrative, one might quote Sontag to illustrate the emotional depth required in storytelling.
More from Susan Sontag
All quotes βScience fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Similar quotes
Music is either good or bad, and it's got to be learned. You got to have balance.
For me, the glory of my first 25 years as a writer was I could put things off as long as I wanted.
Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud's terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.
There is no reason to design buildings that are more basic and rectilinear, because with concrete you can cover almost any space.
I do not have one theme for each season, I just try to make beautiful clothes all year round.
Each thing in its way, when true to its own character, is equally beautiful. (p 41)