If two lives join, there is oft a scar. They are one and one, with a shadowy third; One near one is too far.
Robert BrowningRead
Into the street the piper stepped, Smiling first a little smile As if he knew what magic slept In his quiet pipe the while. And the piper advanced And the children followed.
Interpretation
This quote reflects the power of art and music to enchant and lead people, particularly children.
In this quote by Robert Browning, the piper symbolizes an artist or musician who possesses a unique talent that captivates the innocent and imaginative spirit of children. The magical allure of his music not only brings joy but also draws the children towards him, illustrating how art can evoke emotions and create a sense of wonder, highlighting the deep impact that creativity has on society.
In practice
In a speech about the importance of arts education, one might quote this to emphasize how music inspires creativity in children.
If two lives join, there is oft a scar. They are one and one, with a shadowy third; One near one is too far.
Tis Man's to explore up and down, inch by inch, with the taper his reason.
I think, am sure, a brother's love exceeds_x000D_ _x000D_ All the world's loves in its unworldliness.
I dare not so honor my mere wishes and prayers as to put them for a moment beside your noble acts; but this know, I would rather submit to the worst of deaths, so far as pain goes, than have a single dog or cat tortured on the pretence of sparing me a twinge or two.
How well I know what I mean to do When the long dark Autumn evenings come, And where, my soul, is thy pleasant hue? With the music of all thy voices, dumb In life’s November too! I shall be found by the fire, suppose, O’er a great wise book as beseemeth age, While the shutters flap as the cross-wind blows, And I turn the page, and I turn the page, Not verse now, only prose!
How good is life, the mere living!
As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.
No one can write like Vallejo and not sound like a fraud. He's just too much himself and not you.
There's so many films from around the world, I emphasize, that are so beautifully photographed, but they don't get the recognition.
The music began, and it was one of those life-changing moments. I saw an artist, Janis Joplin. She was exhilarating. She was vibrating. And she was like no other artist that I had ever seen before... It struck me that hard. Maybe the word is epiphany, when you get that special sensation.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.
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