I've worked hard, but this business can be tough, and I just consider myself incredibly lucky to have had the career that I have, and to still be having so much fun playing drums and making music.
Taylor HawkinsRead
In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
Interpretation
The quote expresses disdain for overly sanitized and perfect sounds in music.
Taylor Hawkins critiques modern music production techniques that prioritize perfection over authenticity. He argues that perfect tuning and synchronization detract from the rawness and realness that he values in rock music, suggesting that the human element is essential to the art form.
In practice
This quote can be used in a speech about the importance of authenticity in the arts.
I've worked hard, but this business can be tough, and I just consider myself incredibly lucky to have had the career that I have, and to still be having so much fun playing drums and making music.
In hindsight, if I could go back in time and relay a message to my younger self, I would tell him to work on his time keeping, and that the job of a drummer is not to be the one that gets noticed the most on stage, or to be the fastest, or the loudest. Above all, it is to be the timekeeper.
To me, this acquirement of nervous, physical, and emotional concentration is the one element possessed to the highest degree by the truly great dancers of the world. Its acquirement is the result of discipline, of energy in the deep sense. That is why there are so few great dancers.
Just as there is no substitute for original works of art, there is no substitute for the world of direct sensual experience.
On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult.
I am scared; I don't know what is going to happen to me. What was the point of working so hard and of being talented, to be rewarded like this? Never a penny, tormented all my life. It is horrible; one cannot imagine it.
Tragedy is the highest form of art.
but as God said, crossing his legs, I see where I have made plenty of poets but not so very much poetry.
Subscribe for the occasional hand-picked quote. No noise.