I just go into the studio, look at the lyrics for the first time when I put them on the piano, and go. If I haven't got it within 40 minutes, I give up. It's never changed, the thrill has never gone, because I don't know what I'm going to get next.
Interpretation
Creating art is a spontaneous process that should bring excitement and unpredictability.
Elton John's quote reflects the spontaneous nature of artistic creation, emphasizing the thrill of discovery that comes from engaging with music. He suggests that when composing, if he doesn't find inspiration quickly, he prefers to move on, valuing the excitement of the unknown in his creative process.
In practice
During a music workshop, this quote can inspire participants to embrace spontaneity in their creative process.
I don't want to be married. I'm very happy with a civil partnership. If gay people want to get married, or get together, they should have a civil partnership. The word 'marriage,' I think, puts a lot of people off. You get the same equal rights that we do when we have a civil partnership. Heterosexual people get married. We can have civil partnerships.
I just wish more of my fellow queers would come out sometimes. It's nice out here, you know?
At heart I've always been a music fan. That part of me has never changed since I was a little kid, sitting in a room watching a record go round, looking at the colour of the labels.
I hate to say this, but I always listen to the music and the instrumentation first, and then grab on to the lyrics later.
So excuse me forgetting, but these things I do_x000D_ _x000D_ You see I've forgotten, if they're green or they're blue_x000D_ _x000D_ Anyway, the thing is, what I really mean_x000D_ _x000D_ Yours are the sweetest eyes, I've ever seen.
Don't be afraid to let her into your heart and when your down, don't try to carry the whole world on your shoulders.
I don't hate people who colour-blind cast, but I hate people who colour-blind cast and pretend that they're not, who pretend that these bodies on stage don't actually carry specific meaning.
No tears in the writer, no tears in the reader.
My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally went to a summer workshop before my senior year with people like Sam Shepard and Maria Irene Fornes who encouraged me to write from my subconscious, and suddenly all this material about culture clash came out.
I first knew Laurie Lewis by her considerable reputation as a fiddle player and a writer of songs. When an opportunity came along to sing with her I seized it. Getting to know her as a singer and a person has been pure pleasure. Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.
Three children have become adults since a phone call with Jo Rowling, containing one small clue, persuaded me that there was more to Snape than an unchanging costume, and that even though only three of the books were out at that time, she held the entire massive but delicate narrative in the surest of hands.
When he moves, a streetlight stabs him, and the words flow out like blood.
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