There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
Minor WhiteRead
Let the subject generate its own photographs. Become a camera.
Interpretation
The quote emphasizes the importance of allowing the subject to dictate how it is captured rather than imposing one's own vision.
Minor White's quote, 'Let the subject generate its own photographs. Become a camera,' suggests that a true artist should strive to capture the essence of a subject through an unbiased lens. Instead of forcing personal interpretations onto the subject, the artist should remain open and receptive, allowing the subject to express itself naturally in the photograph, much like a camera captures reality without judgment.
In practice
This quote can be used in an art class to inspire students to approach their subjects with openness.
There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.
The reason why we want to remember an image varies: because we simply 'love it,' or dislike it so intensely that it becomes compulsive, or because it has made us realize something about ourselves, or has brought about some slight change in us. Perhaps the reader can recall some image, after the seeing of which he has never been quite the same.
Some of the young photographers today enter photography where I leave off. My "grandchildren" astound me. What I worked for they seem to be born with. So I wonder where Their affirmations of Spirit will lead. My wish for them is that their unfolding proceeds to fullness of Spirit, however astonishing or anguished their lives.
One does not photograph something simply for 'what it is', but 'for what else it is.
One should not only photograph things for what they are but for what else they are.
The creator of the new composition in the arts is an outlaw until he is a classic.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
Words are the tools of 'to be' - of expression. They are completely built on the fact that you 'are,' and in order to express it, you have built a little alphabet, and you make your words from it.
I canβt stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
How did writing come to me? Like birdβs down on my windowpane, in winter. Just then there rose in the heart a struggle of firebrands, which has, still now, not ended.
Emphasis on technique is justified only so far as it will simplify and clarify the statement of the photographer's concept.
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