Try any goddam thing you like, no matter how boringly normal or outrageous. If it works, fine. If it doesn't, toss it. Toss it even if you love it.
Stephen KingRead
I try to create sympathy for my characters, then turn the monsters loose.
Interpretation
The quote reflects the writer's process of developing empathy for even the darkest characters before revealing their true nature.
Stephen King's quote emphasizes the importance of understanding complex characters in storytelling, particularly those who exhibit monstrous traits. By creating sympathy for these characters, the writer adds depth to their narratives, allowing readers to engage with the characters' struggles and ultimately showcasing the duality of human nature—the capacity for both goodness and evil.
In practice
In a writing workshop, I might quote King to emphasize the importance of character development.
Try any goddam thing you like, no matter how boringly normal or outrageous. If it works, fine. If it doesn't, toss it. Toss it even if you love it.
Eddie discovered one of his childhood's great truths. Grownups are the real monsters, he thought.
Hairstyles change, and skirt lengths, and slang, but high school administrations? Never.
Description begins in the writer’s imagination, but should finish in the reader’s.
That's the day's business. Thinking. Thinking and isolation, because it doesn't matter if you pass the time of day with someone or not; in the end, you're alone. He seemed to have put in as many miles in his brain as he had with his feet. The thoughts kept coming and there was no way to deny them.
Late last night and the night before, tommyknockers, tommyknockers knocking on my door. I wanna go out, don't know if I can 'cuz I'm so afraid of the tommyknocker man.
There's a lot of great movies that have won the Academy Award, and a lot of great movies that haven't. You just do the best you can.
I grew up watching period dramas, as we all did in the 1980s and '90s - endless adaptations of Jane Austen and Charles Dickens - and I loved them. But I never saw anyone like me in them, so I decided to find a story to erode the excuses for me not doing one.
The faster the word sticks to the thought, the more beautiful is the effect.
To speak today of a famous novelist is like speaking of a famous cabinetmaker or speedboat designer. Adjective is inappropriate to noun.
I love playing the Fillmore. I love the walk from the hotel and climbing up those old, iron stairs that lead to the stage. I imagine Jerry Garcia, Jimi Hendrix and the Doors and all those other great bands climbing those same stairs.
In many ways, my entire graphic novel career was a long diversion. Originally, all I wanted to do was to be an underground cartoonist and maybe bring out a groovy underground mag.
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