A tale should be judicious, clear, succinct; The language plain, and incidents well link'd; Tell not as new what ev'ry body knows; and, new or old, still hasten to a close.
Interpretation
A good story should be well-structured and engaging, presenting familiar ideas in a fresh way.
William Cowper emphasizes the importance of clarity and brevity in storytelling. He suggests that a narrative should be concise, with straightforward language and well-connected events. Additionally, he advises against rehashing common knowledge without offering unique insights, and stresses the importance of concluding the tale effectively, regardless of whether the content is new or familiar.
In practice
A writer's workshop can benefit from discussing Cowper's quote on effective storytelling.
Knowledge, a rude unprofitable mass, the mere materials with which wisdom builds, till smoothed and squared and fitted to its place, does but encumber whom it seems to enrich. Knowledge is proud that he has learned so much; wisdom is humble that he knows no more.
This cabin, Mary, in my sight appears,_x000D_ _x000D_ Built as it has been in our waning years,_x000D_ _x000D_ A rest afforded to our weary feet,_x000D_ _x000D_ Preliminary to - the last retreat.
Strength may wield the ponderous spade, May turn the clod, and wheel the compost home; But elegance, chief grace the garden shows, And most attractive, is the fair result Of thought, the creature of a polished mind.
No wisdom that she may gain by experience and reflection hereafter, will compensate the loss of her present hilarity.
Even in the stifling bosom of the town,_x000D_ _x000D_ A garden, in which nothing thrives, has charms_x000D_ _x000D_ That soothes the rich possessor; much consol'd,_x000D_ _x000D_ That here and there some sprigs of mournful mint,_x000D_ _x000D_ Or nightshade, or valerian, grace the well_x000D_ _x000D_ He cultivates.
Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa around, And while the bubbling and loud-hissing urn Throws up a steamy column, and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful evening in
I assume I don't need an introduction.
I remember going into a bookshop, and the only book I saw with a black child on the cover was 'A Thief in the Village' by James Berry, and I thought, 'Is this still the state of publishing?' Then I thought, 'Either I can whine about it or try to do something about it.'
A novel is not a summary of its plot but a collection of instances, of luminous specific details that take us in the direction of the unsaid and unseen.
For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.
I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction
A book is sent out into the world, and there is no way of fully anticipating the responses it will elicit. Consider the responses called forth by the Bible, Homer, Shakespeare - let alone contemporary poetry or a modern novel.
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