Some Native American writers enjoy being called Native American writers.
Interpretation
The quote highlights the pride some Native American writers take in their identity and heritage.
Toni Morrison's quote reflects the importance of cultural identity and recognition among Native American writers. It suggests that embracing the label of 'Native American writer' is not only a source of pride but also an acknowledgment of their unique perspectives and experiences that contribute to the broader literary landscape.
In practice
In a discussion about cultural representation in literature, this quote can remind us of the importance of identity.
There is a certain kind of peace that is not merely the absence of war. It is larger than that. The peace I am thinking of is not at the mercy of history's rule, nor is it a passive surrender to the status quo. The peace I am thinking of is the dance of an open mind when it engages another equally open one -- an activity that occurs most naturally, most often in the reading/writing world we live in. Accessible as it is, this particular kind of peace warrants vigilance.
You looking good." "Devil's confusion. He lets me look good long as I feel bad.
What do you say? There really are no words for that. There really aren't. Somebody tries to say, 'I'm sorry, I'm so sorry.' People say that to me. There's no language for it. Sorry doesn't do it. I think you should just hug people and mop their floor or something.
An innocent man is a sin before God. Inhuman and therefore untrustworthy. No man should live without absorbing the sins of his kind, the foul air of his innocence, even if it did wilt rows of angel trumpets and cause them to fall from their vines.
Like friendship, hatred needed more than physical intimacy; it wanted creativity and hard work to sustain itself
One of my kids was born in 1968. There were going to be political difficulties, but they were never going to have that level of hatred and contempt that my brothers and my sister and myself were exposed to.
Literary men are . . . a perpetual priesthood.
What I felt was, if you spend your life just writing fiction, you are going to falsify your material. And the fictional form was going to force you to do things with the material, to dramatize it in a certain way. I thought nonfiction gave one a chance to explore the world, the other world, the world that one didn't know fully.
Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.
Literature is the most agreeable way of ignoring life.
I loathe people who say, 'I always read the ending of the book first.' That really irritates me, It's like someone coming to dinner, just opening the fridge and eating pudding, while you're standing there still working on the starter. It's not on.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.
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