That’s why an artist must be a warrior and, like all warriors, artists over time acquire modesty and humility. They may, some of them, conduct themselves flamboyantly in public. But alone with the work they are chaste and humble. They know they are not the source of the creations they bring into being. They only facilitate. They carry. They are the willing and skilled instruments of the gods and goddesses they serve.
Interpretation
Artists must embody the strength of warriors while remaining humble about their creative process.
This quote emphasizes the dual nature of artists as both strong and humble individuals. Like warriors, they face the challenges of creativity and expression with determination, yet they recognize that the art they produce is not solely theirs but is channeled through them from a higher source, requiring them to remain modest and grounded despite any public flamboyance.
In practice
In a speech to art students, to inspire them to embrace their journey.
Late at night have you experienced a vision of the person you might become, the work you could accomplish, the realized being you were meant to be? Are you a writer who doesn't write, a painter who doesn't paint, an entrepreneur who never starts a venture? Then you know what Resistance is.
It is one thing to study war and another to live the warrior's life.
The amateur believes he must first overcome his fear; then he can do his work. The professional knows that fear can never be overcome. He knows there is no such thing as a fearless warrior or a dread-free artist.
When we sit down day after day and keep grinding, something mysterious starts to happen... Unseen forces enlist in our cause; serendipity reinforces our purpose.
You know, Hitler wanted to be an artist. At eighteen he took his inheritance, seven hundred kronen, and moved to Vienna to live and study... Ever see one of his paintings? Neither have I. Resistance beat him. Call it overstatement but I'll say it anyway: it was easier for Hitler to start World War II than it was for him to face a blank square of canvas.
It’s better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot.
I know this is going to sound very self-serving, and I apologize for it, but if you can write comedy, you can pretty much write anything, because it's the hardest. It's the most technically demanding, the most precisely evaluated form of writing. People know if it works or not. There's a big button marked 'fail,' and that's when nobody laughs.
It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience.
It has always seemed to me that so long as you produce your dramatic effect, accuracy of detail matters little. I have never striven for it and I have made some bad mistakes in consequence. What matter if I hold my readers?
I've always tried to make movies that pull the audience out of their seats... I want audiences to be transported.
Don't write about Man; write about a man.
My wearing my hair in locs on an Oscar red carpet was to showcase them in a positive light, to remind people of color that our hair is good enough.
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