It's like being a gym rat, but you're a theater rat, and then that becomes your fraternity house. That becomes your extended family.
Billy CrystalRead
That's still the greatest high, that feeling of being in control of 2,000 people. It's me and them, and I like the odds. It's not even so much the funny. It's getting them quiet. In the quiet moments in '700 Sundays,' I just really love that they're getting moved.
Interpretation
The joy of connecting with a large audience and having control over their engagement.
In this quote, Billy Crystal expresses the exhilaration he feels when commanding the attention of a crowd. He emphasizes that beyond the humor of his performance, the moments of silence and emotional impact resonate with him deeply, as he appreciates the connection he establishes with his audience through shared experiences and feelings.
In practice
During a speech about leadership, one could use this quote to highlight the importance of engaging with one's followers.
It's like being a gym rat, but you're a theater rat, and then that becomes your fraternity house. That becomes your extended family.
I can't bear to think of life without Janice. I want to go first because I don't want to miss her, because that would be a pain far worse than any death.
You have to really respect what your kids are doing with their kids and how they're raising them. You can't push your way into areas where you shouldn't be saying anything. You have to always remember they're not your own kids. Play with them, love them, spoil them to death - then hand them back.
In high school, I was the class comedian as opposed to the class clown. The difference is the class clown is the guy who drops his pants at the football game, the class comedian is the guy who talked him into it.
One night, I wrote down all the things I was waiting to do with my little granddaughter, and it became a book, 'I Already Know I Love You.' It was one of those really lovely things in life.
I never missed a birthday. I never missed a school play. We carpooled. And the greatest compliment I can ever get is not about my career or performance or anything; it's when people say, 'You know, your girls are great.' That's the real thing for me.
I don't want people at my shows to come out and say, 'I just saw a cool show.' I want them to say, 'I had fun at the show.' I want it to be a collaborative thing and be part of the audience and have them be part of me. I try to interact with everyone there and have them be equal to me because they are.
The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service.
Even now, nature is the only flame, on which the poetic spirit feeds; from it alone it draws all its power, to it alone it speaks even in the artificial, in the man engaged in culture.
Real fashion change comes from real changes in real life. Everything else is just decoration.
Stories of all lengths and depths come from different parts of the cave. For a novel, you must lay in mental, physical and spiritual provision as for a siege or for a time of hectic explosions, while a short story is, or can be, a steady, timed flame like the lighting of a blow lamp on a building site full of dry tinder.
My films, I've tried to put a message into them. It's not about the gore; it's not about the horror element that are in them. It's more about the message, for me. That's what it is, and I'm using this platform to be able to show my feelings of what I think.
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