The Theatre of the Oppressed is theatre in this most archaic application of the word. In this usage, all human beings are Actors (they act!) and Spectators (they observe!).
Augusto BoalRead
Theatre has nothing to do with buildings or other physical constructions. Theatre - or theatricality - is the capacity, this human property which allows man to observe himself in action, in activity. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.
Interpretation
Theatre is an intrinsic human ability to reflect on our own actions and emotions.
In this quote, Augusto Boal emphasizes that theatre transcends mere physical structures; it represents a fundamental aspect of humanity's capacity for self-reflection. He suggests that through theatre, individuals can observe and understand their own thoughts, feelings, and actions, engaging in a deeper level of awareness about their existence and interactions.
In practice
In a discussion on the importance of acting as a means of self-discovery.
Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
When something's made in the smallest volume - as a one-off couture piece - or in large quantities, deep care is critical to determine authentic, successful design and, ultimately, manufacture.
On the Internet, all those same guys that are complaining I made a change are completely changing the movie. I’m saying: ‘Fine. But my movie, with my name on it, that says I did it, needs to be the way I want it.’
I adore wearing gems, but not because they are mine. You can't possess radiance, you can only admire it.
It is the most fun I’m ever going to have. I love to write. I love it. I mean, there’s nothing in the world I like better, and that includes sex, probably because I’m so very bad at it. It’s the greatest peace when I’m in a scene, and it’s just me and the character, that’s it, that’s where I want to live my life.
The Photograph is an extended, loaded evidence — as if it caricatured not the figure of what it represents (quite the converse) but its very existence ... The Photograph then becomes a bizarre (i)medium(i), a new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest (o)shared(i) hallucination (on the one hand 'it is not there,' on the other 'but it has indeed been'): a mad image, chafed by reality.
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