The little black dress is the true friend...she travels with you...is patient and constant...you go to her when you don't know where else to go and she is ALWAYS reliable and timeless.
There's design, and there's art. Good design is total harmony. There's no better designer than nature - if you look at a branch or a leaf, it's perfect. It's all function. Art is different. It's about emotion. It's about suffering and beauty - but mostly suffering!
Interpretation
What this quote means
The quote distinguishes between design and art, emphasizing that nature exemplifies perfect design, while art evokes deep emotions, often stemming from suffering.
Diane Von Furstenberg's quote explores the intrinsic differences between design and art. It asserts that good design, exemplified by nature's perfection in form and function, is characterized by harmony and utility. In contrast, art embodies emotion and experiences, often revolving around themes of suffering and beauty, highlighting the deeper, more personal connection that art has with the human experience. This dichotomy underlines the unique qualities that both design and art contribute to human life.
Themes
In practice
Example use cases
In a presentation on the importance of nature in design, you might say: 'As Diane Von Furstenberg aptly put it, there's no better designer than nature.'
More from Diane Von Furstenberg
All quotes →One of the most important things about fashion is to dress as well as you can, look as attractive as you can, and at the same time be comfortable with yourself. Be easy about your clothes; forget about them.
All women are strong. My mother survived Auschwitz, and fear wasn't an option when we were growing up. If we were afraid of the dark, we were put into the closet until we weren't.
You're always with yourself, so you might as well enjoy the company.
A challenging economy is always good for design. It unites necessity and functionality. You are forced to be creative with poor materials.
I design for the woman who loves being a woman.
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Every photograph is a certificate of presence.
I want to create a world with objects and surroundings that are human, more romantic, and less sterile.
The landscape thinks itself in me and I am its consciousness.
She could walk through a lightning storm without being touched; grab a bolt of lightning in the palm of her hand; use the heat of lightning to start the kindling going under her medicine pot. She turned the moon into salve, the stars into swaddling cloth, and healed the wounds of every creature walking up on two or down on four.
We are all affected by Le Corbusier, Frank Lloyd Wright, Alvar Aalto, and Mies van der Rohe. But no less than Bramante, Borromini, and Bernini. Architecture is a tradition, a long continuum. Whether we break with tradition or enhance it, we are still connected to that past. We evolve.