My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.
Johnny CashRead
They're powerful, those songs. At times they've been my only way back, the only door out of the dark, bad places the black dog calls home.
Interpretation
Songs can provide comfort and a means of escape during difficult times.
In this quote, Johnny Cash reflects on the profound impact that music has had on his life, particularly in moments of struggle and despair. He personifies the 'black dog' as a metaphor for depression or difficult times, suggesting that music has served as a lifeline that helps him navigate through dark experiences, providing solace and a sense of hope.
In practice
Sharing this quote during a speech about the therapeutic effects of music.
My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
Six foot six he stood on the ground He weighed two hundred and thirty-five pounds But I saw that giant of a man brought down To his knees by love
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
There's no way around grief and loss: you can dodge all you want, but sooner or later you just have to go into it, through it, and, hopefully, come out the other side. The world you find there will never be the same as the world you left.
If you aren't gonna say exactly how and what you feel, you might as well not say anything at all.
I learned from Jimi Hendrix. They all wanted him to do the tricks, and at the end of his career, he just wanted to play. I lived longer than he did, and I can see how those pressures can really play with your head.
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
When I saw Jimi Hendrix I knew immediately that this guy was the real thing ... and when he played it was like a rough sketch of what he was going to become ... this guy was our generation, and he wasn't in a suit .. he played a Howlin' Wolf song 'Killing Floor', and then we (The Cream) had to carry on the set. It was pretty hard to follow.
I don't rely on my figure to sell records.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
I'm not a star. I'll never be a Frank Sinatra or Elvis Presley or a Ray Charles. I'm just an imitator, man. I'm doing a very bad imitation on the bass of Jerry Jemmott, Bernard Odum, Jimmy Fielder, Jimmy Blanton, Igor Stravinsky, Jimi Hendrix, John Coltrane, James Brown, Charlie Parker... the cats, man. I'm just backing up the cats.
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