A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
Mike NicholsRead
The thing is, as a film director, you're essentially alone: You have to tell a story primarily through pictures, and only you know the film you see in your head.
Interpretation
As a film director, one carries the burden of translating their unique vision into a visual narrative, often in solitude.
Mike Nichols emphasizes the solitary nature of directing films, where the director must rely on their own interpretation and vision to convey a story visually. This process can be isolating, as the director is the only one fully aware of the film as it exists in their mind, and they must find a way to communicate that vision through the medium of cinema.
In practice
During a film workshop, you might say, 'As Mike Nichols said, a director is essentially alone in their vision.'
A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
There’s nothing better than discovering, to your own astonishment, what you’re meant to do. It’s like falling in love.
You could say that it's in talking movies that inner life begins to appear. You can see things happen to the faces of people that were neither planned nor rehearsed.
The thing about being an outsider... is that it teaches you to hear what people are thinking because you're constantly looking for the people who just don't give a damn.
I've learned that many of the worst things lead to the best things, that no great thing is achieved without a couple of bad, bad things on the way to them, and that the bad things that happen to you bring, in some cases, the good things.
Plays, especially great plays, yield their secrets over a long period of time. You can't read it three times and say, 'OK, I got it. I know what's happening.'
The arts make vivid the fact that words do not, in their literal form or number, exhaust what we can know. The limits of our language do not define the limits of our cognition.
People often ask me how long it takes me to write a play, and I tell them 'all of my life.'
Thank you for the tragedy. I need it for my art.
If you find yourself asking yourself (and your friends), "Am I really a writer? Am I really an artist?" chances are you are. The counterfeit innovator is wildly self-confident. The real one is scared to death.
If there is such a thing for Sparks as a mission statement, it's more general in that we want each new album to be musically and lyrically provocative. We want to really go at it as though this might be the first album that anyone will ever hear of Sparks.
Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.
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