Every writing teacher I ever had except for one told me I was an awful writer, had no idea what I was doing, and should stop immediately. It only took the one to tell me something different to light a fire under me.
But the thought arrived inside her like a train: Marya Morevna, all in black, here and now, was a point at which all the women she had been met—the Yaichkan and the Leningrader and the chyerti maiden; the girl who saw the birds, and the girl who never did—the woman she was and the woman she might have been and the woman she would always be, forever intersecting and colliding, a thousand birds falling from a thousand oaks, over and over.
Interpretation
What this quote means
The quote reflects the complexity of identity and the intersection of past, present, and potential selves.
In this evocative quote by Catherynne M. Valente, the author reflects on the myriad of identities that a woman can embody through her experiences and choices. The imagery of trains and falling birds symbolizes the intersection of past lives and aspirations, illustrating how each woman's journey is a tapestry woven from various threads of possibilities and realities that collide and coexist within her. It suggests a deep contemplation of selfhood and the multifaceted nature of personal identity.
Themes
In practice
Example use cases
In a personal development workshop, to illustrate the complexity of identity.
More from Catherynne M. Valente
All quotes →One of the many quotes on love..."Love can come only with time and sentience. We learn it as we learn language--and some never learn it well. Love is like a tool, though it is not a tool; something strange and wonderful to use, difficult to master, and mysterious in its provenance.
I do not tolerate a world emptied of you. I have tried. For a year I have called every black tree Marya Morevna; I have looked for your face in the patterns of the ice. In the dark, I have pored over the loss of you like pale gold.
Stories,' the green-eyed Sigrid said, unperturbed, 'are like prayers. It does not matter when you begin, or when you end, only that you bend a knee and say the words.
Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
A marriage is a private thing. It has its own wild laws, and secret histories, and savage acts, and what passes between married people is incomprehensible to outsiders. We look terrible to you, and severe, and you see our blood flying, but what we carry between us is hard-won, and we made it just as we wished it to be, just the color, just the shape.
Similar quotes
We must no more ask whether the soul and body are one than ask whether the wax and the figure impressed on it are one.
It is their character indeed that makes people who they are. But it is by reason of their actions that they are happy or the reverse.
What I want you to understand, is the full evil of those who claim to have become convinced that this earth, by its nature, is a realm of malevolence where the good has no chance to win. Let them check their premises. Let them check their standards of value. Let them check - before they grant themselves the unspeakable license of evil-as-necessity - whether they know what is the good and what are the conditions it requires.
The recipe for beauty is to have less illusion and more Soul, to retreat from the belief of pain or pleasure in the body into the unchanging calm and glorious freedom of spiritual harmony.
They cared for no one, they were outside humanity, and death, had it come, would only have continued their pursuit of a retreating horizon.
God has given you one face, and you make yourself another.