If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.
Emma ThompsonRead
It’s about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.
Interpretation
This quote emphasizes the importance of representation in film, specifically for older women in action roles.
Emma Thompson's quote highlights a changing narrative in the film industry, advocating for diverse character representations, particularly for women over the age of 50. She expresses her desire to take initiative in creating stories that empower older female characters as heroines, showcasing strength and capability despite societal stereotypes about age and gender in action films.
In practice
This quote can inspire filmmakers to consider diverse stories during a panel discussion at a film festival.
If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.
Sometimes I get to put on posh frocks and be Madam Glamour, the vendor of my wares. My lovely friend Kath, a stylist, puts me into things I'd never dream of. But my real life is very different. It's very, very home-based - an intense domestic life, that's the core of everything.
Just write. It doesn't matter what you write. Just sit at your desk and write.
I think books are like people, in the sense that they'll turn up in your life when you most need them.
Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise.
We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.
When I was younger, I was so crazy about poetry that I didn't notice who was noticing. It seemed to me so tremendous and large.
In Hollywood, they think they know it all. You, as a writer, are essentially an outsider. Novelists and short-story writers, especially.
Do not do what someone else could do as well as you. Do not say, do not write what someone else could say, could write as well as you. Care for nothing in yourself but what you feel exists nowhere else. And, out of yourself create, impatiently or patiently, the most irreplaceable of beings.
Perhaps no person can be a poet, or can even enjoy poetry, without a certain unsoundness of mind.
The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.
Writing, I think, is not apart from living. Writing is a kind of double living. The writer experiences everything twice. Once in reality and once in that mirror which waits always before or behind.
Subscribe for the occasional hand-picked quote. No noise.