If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.
Emma ThompsonRead
It’s about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.
Interpretation
This quote emphasizes the importance of representation in film, specifically for older women in action roles.
Emma Thompson's quote highlights a changing narrative in the film industry, advocating for diverse character representations, particularly for women over the age of 50. She expresses her desire to take initiative in creating stories that empower older female characters as heroines, showcasing strength and capability despite societal stereotypes about age and gender in action films.
In practice
This quote can inspire filmmakers to consider diverse stories during a panel discussion at a film festival.
If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.
Sometimes I get to put on posh frocks and be Madam Glamour, the vendor of my wares. My lovely friend Kath, a stylist, puts me into things I'd never dream of. But my real life is very different. It's very, very home-based - an intense domestic life, that's the core of everything.
Just write. It doesn't matter what you write. Just sit at your desk and write.
I think books are like people, in the sense that they'll turn up in your life when you most need them.
Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise.
We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.
I'd rather direct than produce. Any day. And twice on Sunday.
When I moved to New York City in 1965, I wanted to be in theater. I was following my Ethel Barrymore dream. But I was too young to be Ethel.
What a creature he was! Never have I felt such a horse between my knees. His great haunches gathered under him with every stride, and he shot forward ever faster and faster, stretched like a greyhound, while the windbeat in my face and whistled past my ears.
I think writer is a word without gender, and a good writer observes, absorbs, hopefully empathizes then translates that into character and story. You don’t have to do or be or have experienced, traveled to, but you have to imagine all of that, very well–and believe it completely during the bubble of the work.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
Quite simply, my writing life has been one of relish, challenge, excitement.
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