When you're writing a novel, you don't want the reader to come out of it voting yes or no to some question. Life is more complicated than that. Reality simply consists of different points of view.
Interpretation
A novel should reflect the complexity of life, avoiding simplistic distinctions between right and wrong.
In this quote, Margaret Atwood emphasizes that the essence of storytelling, particularly in novels, lies in portraying the multifaceted nature of reality. Rather than presenting black-and-white perspectives, literature should engage with various viewpoints to mirror the complexities of life, prompting readers to explore diverse interpretations rather than settling for binary judgments.
In practice
When discussing the themes of a literature course on complex narratives.
If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.
We love each other, that’s true whatever it means, but we aren’t good at it; for some it’s a talent, for others only an addiction.
I've learned quite a lot, over the years, by avoiding what I was supposed to be learning.
Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.
Novel-writing is, for the novelist, a game of let's pretend.
We must never confuse elegance with snobbery.
In the marginalia ... we talk only to ourselves; we therefore talk freshly - boldly - originally - with abandonment - without conceit.
Fashion is transient, trends come and go. I believe in style, not fashion.
Truly fine poetry must be read aloud. A good poem does not allow itself to be read in a low voice or silently. If we can read it silently, it is not a valid poem: a poem demands pronunciation. Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.
Now and again thousands of memories _x000D_ converge, harmonize, _x000D_ arrange themselves around a central idea _x000D_ in a coherent form, _x000D_ and I write a story.
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