I wonder how the foreign policies of the United States would look if we wiped out the national boundaries of the world, at least in our minds, and thought of all children everywhere as our own.
Howard ZinnRead
Whenever I become discouraged (which is on alternate Tuesdays, between three and four) I lift my spirits by remembering: The artists are on our side! I mean those poets and painters, singers and musicians, novelists and playwrights who speak to the world in a way that is impervious to assault because they wage the battle for justice in a sphere which is unreachable by the dullness of ordinary political discourse.
Interpretation
Artistic expression provides hope and resilience in difficult times.
In this quote, Howard Zinn emphasizes the vital role of artists—poets, musicians, and writers—in fighting for justice and truth. He suggests that, even when feeling discouraged by societal issues, one can find solace and encouragement in the unwavering power of creative expression, which transcends the limitations of conventional political discussions.
In practice
This quote can be shared during an art exhibition to highlight the importance of art in social struggles.
I wonder how the foreign policies of the United States would look if we wiped out the national boundaries of the world, at least in our minds, and thought of all children everywhere as our own.
History can come in handy. If you were born yesterday, with no knowledge of the past, you might easily accept whatever the government tells you. But knowing a bit of history--while it would not absolutely prove the government was lying in a given instance--might make you skeptical, lead you to ask questions, make it more likely that you would find out the truth.
Objectivity is impossible and it is also undesirable. That is, if it were possible it would be undesirable, because if you have any kind of a social aim, if you think history should serve society in some way; should serve the progress of the human race; should serve justice in some way, then it requires that you make your selection on the basis of what you think will advance causes of humanity.
The historian's distortion is more than technical, it is ideological; it is released into a world of contending interest, where any chosen emphasis supports some kind of interest, whether economic or political or racial, or national or sexual.
Americans have been taught that their nation is civilized and humane. But, too often, U.S. actions have been uncivilized and inhumane.
The challenge remains. On the other side are formidable forces: money, political power, the major media. On our side are the people of the world and a power greater than money or weapons: the truth.
Jazz is a very democratic musical form. It comes out of a communal experience. We take our respective instruments and collectively create a thing of beauty.
Why can't I write something that would awake the dead? That pursuit is what burns most deeply.
When I moved to New York City in 1965, I wanted to be in theater. I was following my Ethel Barrymore dream. But I was too young to be Ethel.
I think the rhythm is like the spine of the piece. If you change that, then the body that forms around it is changed as well.
I often make films about subjects I don't really know much about. Maybe it's laziness, but I don't go in there having done a tonne of research; the research happens while I'm making the film.
At the point where I'm trying to force something and it's not happening, and I'm getting frustrated with, say, writing a poem, I can go and pick up the brushes and start painting. At the point where the painting seems to not be going anywhere, I go and pick up the guitar.
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