For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress -- to the future.
Erich Maria RemarqueRead
Trenches, hospitals, the common grave--there are no other possibilities.
Interpretation
The quote reflects the harsh realities of war, depicting the grim outcomes it entails for soldiers.
Erich Maria Remarque's quote starkly illustrates the inevitable suffering and death that accompany war, suggesting that the only outcomes for soldiers are dire—whether it be the grueling conditions in trenches, the despair of hospitals, or the finality of death. This bleak perspective highlights the futility of conflict and the human cost involved, urging readers to confront the brutal truths behind warfare.
In practice
During a remembrance day speech to honor veterans, one might say this quote to emphasize the true cost of war.
For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress -- to the future.
They are more human and more brotherly towards one another, it seems to me, than we are. But perhaps that is merely because they feel themselves to be more unfortunate than us.
Anyway the war is over so far as they are concerned. But to wait for dysentery is not much of a life either.
We are little flames poorly sheltered by frail walls against the storm of dissolution and madness, in which we flicker and sometimes almost go out…we creep in upon ourselves and with big eyes stare into the night…and thus we wait for morning.
There was only the broad square with the scattered dim moons of the street lamps and with the monumental stone arch which receded into the mist as though it would prop up the melancholy sky and protect beneath itself the faint lonely flame on the tomb of the Unknown Soldier, which looked like the last grave of mankind in the midst of night and loneliness.
(Ravic speaking of a butterfly caught in the Louvre) In the morning it would search for flowers and life and the light honey of blossoms and would not find them and later it would fall asleep on millennial marble, weakened by then, until the grip of the delicate, tenacious feet loosened and it fell, a thin leaf of premature autumn.
War loses a great deal of its romance after a soldier has seen his first battle.
He once told Allie and I that if he'd had to shoot anybody, he wouldn't've known which direction to shoot in. He said the Army was practically as full of bastards as the Nazis were.
A true war story is never moral.
My father wanted to be a hero. He went to the Air Force Academy, was valedictorian, and then he found himself strafing villagers in Vietnam in a war he didn't want to be in and didn't understand. He was extremely conflicted about the line where he went from being the good guy to possibly being the bad guy.
To be a good reporter, writing about war, you have to write about the people. It's not about the tanks or the RPGs or military strategy. It's always about the effect war has on civilians, on society, and how it disrupts and destroys lives.
It is important to emphasize that guerrilla warfare is a war of the masses, a war of the people. The guerrilla band is an armed nucleus, the fighting vanguard of the people. It draws its great force from the mass of the people themselves.
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