I've learned that you don't need a lot in life. If it can't fit into a suitcase, you don't really need it.
Joyce DidonatoRead
It's tricky when you're doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don't have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice.
Interpretation
Voice is the sole medium in audio recordings, requiring a strong delivery to convey emotion and meaning.
In this quote, Joyce DiDonato emphasizes the unique challenges of audio recording, where the artist must rely solely on their voice to express emotions and engage the audience. Without visual elements like gestures or facial expressions, every nuance of the voice becomes crucial, making the delivery of the message all the more important in connecting with listeners.
In practice
During a vocal masterclass to illustrate the importance of voice control.
I've learned that you don't need a lot in life. If it can't fit into a suitcase, you don't really need it.
Blue is the male principle, stern and spiritual. Yellow the female principle, gentle, cheerful and sensual. Red is matter, brutal and heavy and always the colour which must be fought and vanquished by the other two.
When I'm writing a new play, there's a period where I know I shouldn't be out in public much. I imagine most people who create go through something like this. You willfully loosen some of the inner straps that hold your core together.
I write almost always in the third person, and I don't think the narrator is male or female anyway. They're both, and young and old, and wise and silly, and sceptical and credulous, and innocent and experienced, all at once. Narrators are not even human - they're sprites.
The Last Airbender is an agonizing experience in every category I can think of and others still waiting to be invented. The laws of chance suggest that something should have gone right. Not here. It puts a nail in the coffin of low-rent 3D, but it will need a lot more coffins than that.
I am always wandering around in enigmas. There are young people who constantly come to tell me: you, too, are making Op Art. I haven't the slightest idea what that is, Op Art. I've been doing this work for thirty years now.
We Orientals find beauty not only in the thing itself but in the pattern of the shadows, the light and darkness which that thing provides.
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