If you tell a true story, you can't be wrong.
Interpretation
A true story is inherently authentic and cannot be disputed.
This quote by Jack Kerouac emphasizes the idea that when one shares a genuine narrative or experience, the truth of that story stands unchallenged. The importance of authenticity in storytelling is underscored, suggesting that personal experiences can never be deemed incorrect as they are reflective of the storyteller's reality.
In practice
In a talk about the power of narratives, one might say, 'As Jack Kerouac aptly put it, if you tell a true story, you can't be wrong.'
Dharma Bums refusing to subscribe to the general demand that they consume production and therefore have to work for the privilege of consuming, all that cramp they didn't really want anyway such as refrigerators, TV sets, cars, at least new fancy cars, certain hair oils and deodorants and general junk you finally always see a week later in the garbage anyway, all of them imprisoned in a system of work, produce, consume, work, produce, consume.
I was amazed by the fact that I was not the only writer living, not the only young man "with a locomotive in his chest, and that's a fact," not the only youth with a million hungers and not one of them appeasable, not the only one who is lonely among multitudes, and does not know why.
My aunt once said that the world would never find peace until men fell at their women's feet and asked for forgiveness.
The bus roared through Indiana cornfields that night; the moon illuminated the ghostly gathered husks; it was almost Halloween. I made the acquaintance of a girl and we necked all the way to Indianapolis. She was nearsighted. When we got off to eat I had to lead her by the hand to the lunch counter. She bought my meals; my sandwiches were all gone. In exchange I told her long stories.
Holding up my purring cat to the moon. I sighed.
It seemed like a matter of minutes when we began rolling in the foothills before Oakland and suddenly reached a height and saw stretched out ahead of us the fabulous white city of San Francisco on her eleven mystic hills with the blue Pacific and its advancing wall of potato-patch fog beyond, and smoke and goldenness in the late afternoon of time.
Imagination magnifies small objects with fantastic exaggeration until they fill our soul, and with bold insolence cuts down great things to its own size, as when speaking of God.
There has never been a time in which I have been convinced from within myself that I am alive. You see, I have only such a fugitive awareness of things around me that I always feel they were once real and are now fleeting away. I have a constant longing, my dear sir, to catch a glimpse of things as they may have been before they show themselves to me.
We . . . must try to live without causing unnecessary harm, not just to fellow humans but to all beings. We must try not to be stingy, or to exploit others. There will be enough pain in the world as it is.
Whenever and wherever men have engaged in the mindless slaughter of animals (including other men), they have often attempted to justify their acts by attributing the most vicious or revolting qualities to those they would destory; and the less reason there is for the slaughter, the greater the campaign for vilification.
Each moment is defined by a multitude of histories, the past constantly converging upon us, perpetually decaying and reforming itself on the steady pulse of now, now, now, now.
The world rarely shrieks its meaning at you. It whispers, in private languages and obscure modalities, in arcane and quixotic imagery, through symbol systems in which every element has multiple meanings determined by juxtaposition.
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