A big part of the job of being a showrunner is, in my way of thinking, being a good communicator because there's really no other way to have hope for getting what you want, at the end of the day.
Vince GilliganRead
A typical TV show is always about protecting the franchise - it's all about stretching it out as long as you can take it. And it's about taking the characters in any given hour as far as you can take them, but then resetting them more or less back to zero so at the beginning of the next week, so they're still the character you know and love.
Interpretation
This quote discusses the formulaic nature of TV shows that prioritize franchise longevity over character development.
Vince Gilligan's quote highlights a common trend in television where shows prioritize the sustainability of their franchise by extending storylines and character arcs, only to revert characters back to their original states by the next episode. This cyclical approach allows audiences to feel comfort and familiarity with their favorite characters while maintaining the show's ongoing success, but can hinder deeper character growth and storytelling.
In practice
This quote could be used in a discussion about the quality of modern television storytelling.
A big part of the job of being a showrunner is, in my way of thinking, being a good communicator because there's really no other way to have hope for getting what you want, at the end of the day.
You don't make a movie by yourself; you certainly don't make a TV show by yourself. You invest people in their work. You make people feel comfortable in their jobs; you keep people talking.
I never thought anyone would come up to me and say, 'I like 'Better Call Saul' better than 'Breaking Bad.'' If you had asked me before we started, 'Would that bother you if someone said that?' First of all, I would have said, 'That's never gonna happen. And yeah, it probably would bother me.' It doesn't bother me a bit. It tickles me. I love it.
The sad truth is, there's more Walter White in me than I'd care to admit, because if I truly was as kind as people think I am, I wouldn't be able to write Walter White.
For many decades - and this was reinforced by the broadcast networks' standards-and-practices department - bad guys on TV had to get their comeuppance, and good guys had to be brave and true and unconflicted. Those were the laws of the business.
I'm very glad people love 'Breaking Bad,' but the harder character to write is the good character that's as interesting and as engaging as the bad guy.
But...books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them―the best ones―are doors.
I've always sought to express a tension in form and meaning in order to achieve a veracity. I have come to the conclusion that the art world has to join us, women artists, not we join it. When women are in leadership roles and gain rewards and recognition, then perhaps 'we' (women and men) can all work together in art world actions.
Whatever happens in my life, whether I stand up or I fall down, whatever the case, I'm going to use it in my art. Why? Because I'm an artist and I have to.
People associate me with a time when movies were pleasant, when women wore pretty dresses in films and you heard beautiful music. I always love it when people write me and and say 'I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference.'
The trap into which all writers have, will, or should fall into, of writing The Great American Watchamacallit, is such an uncluttered and inviting one that from time to time I'm sure even the greatest have to pull themselves up short by the Shift key to remind themselves that it is story first that they should write.
And If the surgeon is like a poet, then the scars you have made on countless bodies are like verses into the fashioning of which you have poured your soul.
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