Life is to be lived, not controlled, and humanity is won by continuing to play in face of certain defeat.
Ralph EllisonRead
The understanding of art depends finally upon one's willingness to extend one's humanity and one's knowledge of human life.
Interpretation
Understanding art requires empathy and knowledge of human experiences.
Ralph Ellison suggests that appreciating art is not merely about technical skill or aesthetic preferences, but rather about one's ability to empathize with others and understand the intricacies of human life. Art is a reflection of humanity, and our engagement with it deepens as we expand our knowledge and compassion towards the diverse experiences of people.
In practice
This quote could be used in a lecture about the importance of empathy in art education.
Life is to be lived, not controlled, and humanity is won by continuing to play in face of certain defeat.
I am invisible, understand, simply because people refuse to see me.
I denounce because though implicated and partially responsible, I have been hurt to the point of abysmal pain, hurt to the point of invisibility. And I defend because in spite of it all, I find that I love.
The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstance whether created by others or by one's own human failings. They are the only consistent art in the United States which constantly remind us of our limitations while encouraging us to see how far we can actually go. When understood in their more profound implication, they are a corrective, an attempt to draw a line upon man's own limitless assertion.
If you can show me how I can cling to that which is real to me, while teaching me a way into the larger society, then and only then will I drop my defenses and hostility, and I will sing your praises and help you to make the desert bear fruit.
All novels are about certain minorities: the individual is a minority. The universal in the novel-and isn't that what we're all clamoring for these days?-is reached only through the depiction of the specific man in a specific circumstance.
I'm never tired of going to the studio. I enjoy recording and documenting everything and trying new things.
Architecture is always the will of the age conceived as space - nothing else. Until this simple truth is clearly recognized, the struggle over the foundation of a new architecture confident in its aims and powerful in its impact cannot be realized; until then, it is destined to remain a chaos of uncoordinated forces.
It is art that makes life, makes interest, makes importance, for our consideration and application of these things, and I know of no substitute whatever for the force and beauty of its process.
The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment.
The source of genius is imagination alone, the refinement of the senses that sees what others do not see, or sees them differently.
Film is the manipulative medium par excellence. When you think back on the history of film and the 20th century, you see the propaganda that's been made. So there are moral demands on the director to treat the spectators as seriously as he or she takes himself and not to see them merely as victims that can be manipulated to whatever ends they have.
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