My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Vladimir NabokovRead
if a violin string could ache, i would be that string.
Interpretation
The quote expresses deep emotional resonance and the connection of art to personal suffering.
In this quote, Vladimir Nabokov poetically suggests that if a violin string could experience pain, it would embody his own emotional turmoil. This reflects the profound connection between art and human emotion, emphasizing how artistic expression can be a vessel for personal suffering and longing, highlighting the depth of feeling that can be invoked through music and literature.
In practice
In a discussion about the power of music to convey emotions at a seminar.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
People call me the painter of dancers, but I really wish to capture movement itself.
Poetry reveals that there is no empty space.
One of the best things about directing movies, as opposed to merely writing them, is that there's no confusion about who's to blame: you are.
Anyone who regards poetry as an entertainment, as a 'read,' commits an anthropological crime, in the first place against himself.
Creation comes before distribution -- or there will be nothing to distribute.
Writing well involves walking the path of most resistance. Sitting still, being patient, allowing the lunatic dream to take shape on the page, then the shaping, the pencil on the page, breathing, slowing down, being willing–no, more than willing, being wide open–to press the bruise until it blossoms.
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