Time is the most valuable thing you have - and I'm not just talking about the minutes for which you're paid.
Eli BroadRead
Unfortunately, the boards of art institutions tend to be populated with well-meaning supporters of the arts who often lack any business background or appetite for imposing appropriate discipline.
Interpretation
Art institutions often lack leaders with sufficient business acumen, which can hinder their effectiveness.
Eli Broad emphasizes the disconnect between art and business within art institutions. While well-meaning advocates support the arts, their lack of business knowledge and discipline might prevent these institutions from operating efficiently and achieving their full potential. This highlights the importance of having a balance of artistic passion and practical management in nurturing the arts.
In practice
In a discussion about improving art education, one might reference this quote to highlight the need for business-savvy leaders.
Time is the most valuable thing you have - and I'm not just talking about the minutes for which you're paid.
How absurd that our students tuck their cell phones, BlackBerrys, iPads, and iPods into their backpacks when they enter a classroom and pull out a tattered textbook.
Who you spend your life with-much more so than how you choose to spend it-is the most important decision you can make. Do it right. That's the best advice I can give you.
If you ask why I do what I do - I want to make a difference. I don't just want to maintain the status quo. I want to help people, to work with institutions or create ones when they don't exist.
Public education is the key civil rights issue of the 21st century. Our nation's knowledge-based economy demands that we provide young people from all backgrounds and circumstances with the education and skills necessary to become knowledge workers. If we don't, we run the risk of creating an even larger gap between the middle class and the poor. This gap threatens our democracy, our society and the economic future of America.
Los Angeles is such a great meritocracy. Where can someone with my background - don't have the right family background, the right religion, the right provenance or whatever you want to call it - I come here and I'm accepted. The city's been good to me. And I want to give back.
I used to enjoy using dots where they would be least expected, not at the end of a sentence but in the middle, creating the effect... of a skipped beat. It seemed to me the mind reacted - first!... in dots, dashes, and exclamation points, then rationalized, drew up a brief, with periods.
If poetry should address itself to the same needs and aspirations, the same hopes and fears, to which the Bible addresses itself, it might rival it in distribution.
I don't hate people who colour-blind cast, but I hate people who colour-blind cast and pretend that they're not, who pretend that these bodies on stage don't actually carry specific meaning.
You say grace before meals. All right. But I say grace before the concert and the opera, and grace before the play and pantomime, and grace before I open a book, and grace before sketching, painting, swimming, fencing, boxing, walking, playing, dancing and grace before I dip the pen in the ink.
Sometimes I get the start of a story from a memory, an anecdote, but that gets lost and is usually unrecognizable in the final story.
Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
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