Time is the most valuable thing you have - and I'm not just talking about the minutes for which you're paid.
Eli BroadRead
Unfortunately, the boards of art institutions tend to be populated with well-meaning supporters of the arts who often lack any business background or appetite for imposing appropriate discipline.
Interpretation
Art institutions often lack leaders with sufficient business acumen, which can hinder their effectiveness.
Eli Broad emphasizes the disconnect between art and business within art institutions. While well-meaning advocates support the arts, their lack of business knowledge and discipline might prevent these institutions from operating efficiently and achieving their full potential. This highlights the importance of having a balance of artistic passion and practical management in nurturing the arts.
In practice
In a discussion about improving art education, one might reference this quote to highlight the need for business-savvy leaders.
Time is the most valuable thing you have - and I'm not just talking about the minutes for which you're paid.
How absurd that our students tuck their cell phones, BlackBerrys, iPads, and iPods into their backpacks when they enter a classroom and pull out a tattered textbook.
Who you spend your life with-much more so than how you choose to spend it-is the most important decision you can make. Do it right. That's the best advice I can give you.
If you ask why I do what I do - I want to make a difference. I don't just want to maintain the status quo. I want to help people, to work with institutions or create ones when they don't exist.
Public education is the key civil rights issue of the 21st century. Our nation's knowledge-based economy demands that we provide young people from all backgrounds and circumstances with the education and skills necessary to become knowledge workers. If we don't, we run the risk of creating an even larger gap between the middle class and the poor. This gap threatens our democracy, our society and the economic future of America.
Los Angeles is such a great meritocracy. Where can someone with my background - don't have the right family background, the right religion, the right provenance or whatever you want to call it - I come here and I'm accepted. The city's been good to me. And I want to give back.
People hide behind the word aesthetic. They say, ‘Well, it’s just that designer’s aesthetic.’ But when you see 18 seasons in a row and not one single model outside a certain skin color…? There are people in the industry who are advocates, who support diversity. And there are people who do not. I don’t get it. Beauty is universal. These doors have to open.
My characters live inside my head for a long time before I actually start a book about them. Then, they become so real to me I talk about them at the dinner table as if they are real. Some people consider this weird. But my family understands.
You don't have to be singing specifically about things that are going on in your life, but because of the nature of music, because it is this incredibly emotional phenomenon, everything that you are feeling or experiencing is relayed in the music you put out.
It's the spectator, and not life, that art really mirrors.
I loved writing a book in which, in some ways, it's very, very classical, and in some ways I'm breaking lots of rules about what you can do and what you can't do.
Real music lovers are actually my favourite kind of people because they like to know, rather than just be told what to think.
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