To me, what is important in the theater is that we don't want to make a conclusion. We don't want to make a statement, don't want to say what something is. We want to ask, 'What is it?'
Robert WilsonRead
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
Interpretation
The visual elements of theater should be compelling and independent from the text, engaging the audience on their own.
In this quote, Robert Wilson emphasizes the importance of visuals in theater, arguing that they should stand alone as captivating elements rather than mere decorations that support the spoken text. He suggests that visuals need to be so powerful that they hold the attention of even those who cannot hear the accompanying words, illustrating the significance of visual storytelling in enhancing the overall theatrical experience.
In practice
In a discussion on modern theater, one might cite this quote to argue for the significant role of visual storytelling.
To me, what is important in the theater is that we don't want to make a conclusion. We don't want to make a statement, don't want to say what something is. We want to ask, 'What is it?'
I never studied theatre; I learned it by doing it. If I had studied theatre, I would not be making the kind of theatre I am making.
But such occasions of excellence became less and less frequent. As her technique became sounder, [her] sincerity became less necessary.
You I am sure will forgive me for sincerely remarking that you might curb your magnanimity and be more of an artist, and 'load every rift' of your subject with ore.
People think that digital language is a fixed language, but it's not: it's very fluid. It's like I'm doing a painting where the paint refuses to dry.
Jazz is like blues with a shot of heroin!
The word war itself has a kind of glazing abstraction to it that conjures up bombs and bullets and so on, whereas my goal is to try to, so much as I can, capture the heart and the stomach and the back of the throat of readers who can lie in bed at night and participate in a story.
A playwright must be his own audience. A novelist may lose his readers for a few pages; a playwright never dares lose his audience for a minute.
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