Aretha with no goals, eternally single & one step soft of heaven/ let it be understood that she owns this melody along with her emotional diplomats & her earth & her musical secrets
Bob DylanRead
You I am sure will forgive me for sincerely remarking that you might curb your magnanimity and be more of an artist, and 'load every rift' of your subject with ore.
Interpretation
The quote suggests that one should focus more on the craft and detail of their work rather than being overly generous or lenient.
In this quote, Bob Dylan emphasizes the importance of fully engaging with the artistic process. He encourages artists to invest more effort and depth into their creations by filling every 'rift' with valuable content, thus ensuring their work is rich and complete rather than scattered with excessive kindness or leniency. This serves as a reminder that true artistry involves both skill and dedication to the craft.
In practice
During a talk on creative writing, this quote could inspire aspiring authors to dive deeper into their storytelling.
Aretha with no goals, eternally single & one step soft of heaven/ let it be understood that she owns this melody along with her emotional diplomats & her earth & her musical secrets
If I wasn't Bob Dylan, I'd probably think that Bob Dylan has a lot of answers myself.
Some formulas are too complex and I don't want anything to do with them.
I'm the oldest son of a crazy man, I'm in a cowboy band.
My songs are personal music, they're not communal. I wouldn't want people singing along with me. It would sound funny. I'm not playing campfire meetings. I don't remember anyone singing along with Elvis, Carl Perkins or Little Richard.
I wish that for just one time you could stand inside my shoes. You'd know what a drag it is to see you.
The charge frequently leveled against poetry - that it is difficult, obscure, hermetic and whatnot - indicates not the state of poetry but, frankly, the rung of the evolutionary ladder on which society is stuck.
May what I do flow from me like a river, no forcing and no holding back, the way it is with children.
A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
Art is the child of nature in whom we trace the features of the mothers face.
I don't think you can create art out of anger; it has to come out of some form of understanding. You have to feel good about who you are and that you could do something to change things.
Interpretation is the revenge of the intellectual upon art.
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